<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.192300571967987551639975398191%2Fimage1.webp?alt=media&token=345bf1ba-12ba-44c5-9f09-351b423c8341" alt="File preview" width="700" height="466" /> Ask yourself: When was the last time you stopped to think about the origins of your morning coffee, or how does the Bluetooth work on your smartphone, or really, when was the last time you stopped to try and understand more about your reality? How often do you really think? The complex problem of thinking is: There are many ways of thinking and too many things to think about. When you try to understand the best route to get to someone&rsquo;s house, are you thinking? You could say so. However, would you say the same thing when you stop to understand the meaning of your life? Yes, you could also say so. However, there&rsquo;s a fundamental element to this problem. At Queen&#39;s University in Kingston, Canada, psychologists did research that showed the average person has about 6,200 thoughts per day. And throughout your day, you make lots of decisions; each of those requires previous thoughts that you may not even be conscious of. So let&rsquo;s draw a line: When Socrates says, &ldquo;The unexamined life is not worth living&rdquo;, he&rsquo;s referring to the conscious process of thinking. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.192300571967987551639975398191%2Fimage2.webp?alt=media&token=4fb27fca-e95c-45d5-84d1-f292c64037a7" alt="File preview" width="700" height="466" /> Along with that, one of the most rebellious phrases of philosophy is: &ldquo;I think, therefore I am.&rdquo; To wonder is to make something out of existence. When you look around and consciously perceive the world, you&rsquo;re a different part of what you would be if you weren&rsquo;t thinking. The sky won&rsquo;t be as beautiful if you don&rsquo;t look at it, even though it is the same sky. The wind will pass almost unnoticed if you don&rsquo;t appreciate it. &ldquo;You will die without living if you don&rsquo;t think about it.&rdquo; So ask yourself: What is life? Get a good answer to this question, and then: throw it away. The point is not to find a pretty little answer but to dive into deep thoughts. And then, ask yourself again and again because everything is constantly changing, and you&rsquo;re part of the changing process. So, embrace the various definitions you can think about. You&rsquo;ll find uncertainty in your search for answers to complex questions such as: &ldquo;What is life?&rdquo; The way to deal with uncertainty is to have faith because nobody knows the truth. Maybe truth, as we conceive it, is not even something we conquer by &ldquo;knowing&rdquo;. And to understand what life is, you&rsquo;ll need more than logical assumptions. If we take as an example the axiom from Rick Sanchez - from the animated show Rick and Morty - &nbsp;&ldquo;What people call Love is just a chemical reaction that compels animals to breed&rdquo;. Some may agree that indeed this is love. However, we could also agree that something is missing in this assumption. It is too reductionist, lacking the metaphysical aspect of love and its applications in the way we think and perceive the world. So, in the end, one needs the courage to think because along with answers, there&lsquo;ll be suffering and other questions to answer. However, it is necessary to consider to make life worth living: So go on to ask yourself: What is life? -writing one answer in the comment section might help you think things through-

What is Life? - A Guide to Making Life Worth Living

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.10951663473921981628072883027%2FMEDIA%20AND%20LOVE_AanviJain_1.webp?alt=media&token=5dc42055-2f14-400a-b2aa-cde4c8b21b38" alt="" width="764" height="573" /> Love is an abstract concept, a complicated emotion. The greatest men of all time couldn't answer what love is. Many tried to give us a definition, but many believe it's beyond our understanding.&nbsp; So how much does the media know? Media made all of us believe that a perfect person is waiting for us. Someone whom the day we meet, our lives will be complete&mdash;a person who answers all our problems All the hope they have given us without any solid proof. Can our life also be a fairy tale like Cinderella with our soulmates going around the globe looking for us? The honest answer to this is a bummer for all; not all love stories are like Cinderella. While growing up, we saw perfect couples with romantic bickering. Many filmmakers and authors tried to capture the true essence of love by providing us with pieces such as The Notebook or Fault in our stars. Such creations did give us a desire for a dreamy love story and the perfect relationship but what it did not show us is that no relationship is perfect. Love is not as simple; it takes more than the presence of two individuals attracted to each other. It includes trust, selflessness, compromises from both ends.&nbsp; The best graphics we see on searching about love are people smiling with red hearts all around them. But as it is rightly said, all glitters are not gold. People can be in love and yet fight; they are not always happy with each other. There are disputes and conflicts.&nbsp; Another aspect of love we see in the media are couples celebrating their love by giving thoughtful gifts, going out for romantic dinners, and always spending time with each other. But in reality, that is not the case. Two individuals might not make romantic gestures regularly, but that doesn't change the fact that they love each other. They can still be as happy as other couples. The media cannot filter the toxic relationships, they have failed to highlight this issue, and those suffering are afraid to speak up. Love can make a person blind to the damage they are causing to their partner. It is a must to make everyone aware of the red flags to prevent them from the worst. Similarly, even abusive relationships are a subject of great importance. Not everyone is happy; some are hurting mentally or physically. Media is an integral part of our lives; it greatly influences our beliefs. But what we see there is not always true. Love is not all rainbows and glitters; it's not all smiles. The media only shows what they think the people like to see, and not what's true. Hence, we shouldn't be quickly captivated by everything they show us. What has been your experience with love?

Media and Love

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839574068561628682884185%2FThe%20History%20of%20Art_1.webp?alt=media&token=492fd2a3-6df3-4bc5-850d-ba4b2dcfe727" alt="File preview" width="741" height="493" /> There have been times where words were not sufficient to convey a message; in such a situation, one sought help from art. Art is a constant, a means of communication for humans from the stone age to the twenty-first century. Art, along with humankind, has significantly evolved.&nbsp; We can broadly classify the different phases of evolution in the art world in eight periods: 1.STONE AGE ART(30,000 BCE- 3,000 BCE): The earliest art belongs to the stone age period. As the name suggests, stones were prominent. Petroglyphs, carving on hard protected surfaces like cave walls, were the most common. People refer to the period as prehistoric art as it existed before recorded history.&nbsp; We further divide the stone age into three periods; with development in tools observed over time: <ul> <li style="font-weight: 400;">Paleolithic period (30,000 BCE-10,000 BCE)</li> </ul> &nbsp;The term palaeolithic means old stone age. The artworks of this phase mainly consist of small sculptures, carvings on walls and paintings. In this period, people put stone tools to use for something other than survival for the first time. The structures were mainly figurines of animals, small but realistic.&nbsp; The primary materials used were ivory, bone, stone, and clay&mdash;Bhimbetka Petroglyphs, the oldest known prehistoric art discovered in India's quartzite caves.&nbsp; <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839574068561628682884185%2FThe%20History%20of%20Art_2.webp?alt=media&token=28fd4ef4-f17d-4aed-9f73-9bc51049b768" alt="File preview" width="740" height="555" /> Bhimbetka Petroglyphs&nbsp;&nbsp; <ul> <li style="font-weight: 400;">Mesolithic period (10,000 BCE- 3,000 BCE)</li> </ul> &nbsp;This period marked the end of the ice age and a switch to more temperate conditions. Due to this change, the humans had to adapt to a new type of living, leaving behind their caves. They switched to more settled agricultural communities. The art now provided keener details and better narration. Ceramics also started gaining popularity in this period. The most intriguing artwork of this time consists of rock art, similar to the palaeolithic period on vertical cliffs or natural rocks. <ul> <li style="font-weight: 400;">Neolithic period (8,000 BCE- 3,000 BCE)</li> </ul> &nbsp;In this era, weaving and pottery became prominent as civilization settled and people shifted from nomadic to permanent settlements. The most exciting creations from this time were the architecture that featured large stone structures called the megaliths. This period, however, mainly focused on pottery, the majority found in the region of Mesopotamia.&nbsp; 2.BRONZE AGE ART (3,000 BCE-1,100 BCE)&nbsp; This period highlights the production of bronze, an alloy of copper and tin. With advancements in the production of metalwork, there was a rise in skilled workers. The use of stone became less popular. The art world saw some agile development as metals were more flexible, the sculptures and artefacts made were more detailed and charming. People observed the earliest art in the Mesopotamia region, Sumerian art. Writing first began in Mesopotamia as the nation greatly prospered, and people started focusing on art, literature, culture and religion. Egyptian art also rose in the form of monumental architecture. Lost wax casting was one of the most common ways used for making sculptures out of bronze. The oldest cast bronze sculpture is the 'DANCING GIRL' in Mohenjo Daro. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839574068561628682884185%2FThe%20History%20of%20Art_3.webp?alt=media&token=73ec9296-48f2-4e19-9ecc-28561fbcbf7a" alt="File preview" width="400" height="776" /> The Dancing girl in Mohenjo Daro 3.IRON AGE ART (1,100 BCE-200 BCE) As the name suggests, the use of iron became more prominent in this period. It was the last phase of the prehistory period. It was more economical to mine iron than bronze, and it was more substantial, making it extremely popular and abundantly available. In this reign, greek art gained attention in the Mediterranean basin. However, near the end of the iron age, greek art started declining, and Persian and Egyptian art became more dominating. 4.MEDIEVAL ART (5th- 15th century) Medieval art was produced in Europe during the middle ages; it includes sculptures, paintings, illuminated manuscripts, mosaics, and metalwork.&nbsp; Based on time, we can classify medieval art into: <ul> <li style="font-weight: 400;">The Romanesque (11th-12th century)&nbsp;</li> </ul> Its name comes from the fact that its primary basis is on early Christian art in Rome. The architecture built in this reign, mainly churches, monasteries and temples, symbolized the growing wealth in Europe and the power of church monasteries. The characteristics of these buildings are thick stone walls, semi-circular arches with durable construction. Sculptures were also famous; made out of stone, based on the iconography of the bible. Thousands of artisans from Rome and Greek created an eastern, Christian image known as byzantine art. Other types of popular art include illuminated manuscripts and stained glass.&nbsp; <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839574068561628682884185%2FThe%20History%20of%20Art_4.webp?alt=media&token=21720770-9d02-4897-a52c-fd2ce753cc65" alt="File preview" width="400" height="515" /> Chriatian Byzantine Art <ul> <li style="font-weight: 400;">The Gothic (12th-15th century)&nbsp;</li> </ul> It derives its name from the Goths that ruled France. The gothic architecture offered revolutionary structural advancements such as flying buttresses, ribbed vaults(formed by two arches across diagonally) and decorative pinnacles, contributing to taller and lighter buildings. Sculptures in the gothic period were more realistic images; they characterized angels, saints and biblical figures.&nbsp; Paintings also became more lifelike, and with the gradual development in Europe, artists soon started taking an interest in non-religious subjects.&nbsp; 5.THE RENAISSANCE (14th-16th century) The renaissance dominated Italy and the majority of Europe; the people in this reign made their appearance different from that of the medieval period. There was a great revival of learning of ancient Greece and Rome. The artist started rejecting the byzantine form of art and preferred a more realistic depiction of humans and space. The art from this time also represented other aspects, such as mythology. Some of the most famous masters of this time are Leonardo da Vinci, Michelangelo and Raphael.&nbsp; 6.THE POST-RENAISSANCE (16th-18th century)&nbsp; This reign was followed by: <ul> <li style="font-weight: 400;">Mannerism (16th century)&nbsp;</li> </ul> Mannerism, opposed to naturalism in art, was notable for its artificiality. The mannerist artist took paintings established during the renaissance and added a twist by exaggerating them, giving them an extravagant aesthetic to classicism. <ul> <li style="font-weight: 400;">Baroque (17th-18th century)&nbsp;&nbsp;</li> </ul> The main principles of art in this reign was extravagance, ornateness and decorated details. The link between the catholic church and this art form was inseparable.&nbsp; <ul> <li style="font-weight: 400;">Rococo (mid 17th-18th century)&nbsp;</li> </ul> Rococo, unlike Baroque, emphasized opulence, gratefulness and lightness. It emerged in France. Unlike another art form, it depicted light-hearted romance and carefree aristocratic life.&nbsp; 7.MODERN ART (18th-19th century) The Industrial Revolution led to the birth of modern art. In previous art forms, the art depicted religion and mythology. However, in the 19th-century, artists created art based on their personal experience and their chosen topics. The art produced in this reign showcased the artists' interest in re-imagining, interpreting and rejecting previous art styles.&nbsp; Some famous artworks are Les Demoiselles d'Avignon by Pablo Picasso, The Large Bathers by Paul C&eacute;zanne and Impression, Sunrise by Claude Monet.&nbsp; The different types of modern art are:&nbsp; <ul> <li style="font-weight: 400;">Impressionism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Post Impressionism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Fauvism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Expressionism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Cubism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Surrealism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Abstract Expressionism&nbsp;</li> </ul> &nbsp;8.CONTEMPORARY ART (21st century) Contemporary art means art; painting, sculpture, photography, video art, installation and production are performed today. It allows the artist to reflect upon the social issues related to humanity in today's world. High-end technology and cultural diversity globally surrounds artists in today's time. This form of art stands out because of its lack of organization, uniformity and ideology.&nbsp; The different types of contemporary art are: <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839574068561628682884185%2FThe%20History%20of%20Art_5.webp?alt=media&token=460edc0d-69c6-4de1-a10a-74c749f22f79" alt="File preview" width="740" height="555" /> <ul> <li style="font-weight: 400;">Pop art&nbsp;&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Photorealism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Conceptualism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Minimalism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Performance art&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Installation art&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Earth art&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Street art&nbsp;</li> </ul>

The History of Art

<img alt="" src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.157900990944576771635808995425%2Fimage1.webp?alt=media&token=dcb24d54-1974-4de3-98ce-b12e08d40c01" > The imperfect is our paradise, Wallace Stevens wrote. However, it isn&#39;t just our paradise; it is also our world. Human beings are innately curious. We as a species make extensive efforts to know more about ourselves and the world around us. The organ between our ears helps us make sense of subtle patterns in the randomness of life. The brain is where we live. The evolution of the human brain paved the way for the emergence of several mechanisms to deal with our imperfect world. Language, stories, literature, and poetry; however, the most excellent method acquired by humans to deal with the reality of this world is art. It plays a pivotal role in the psychological development of human beings. It helps us celebrate life. Sigmund Freud, the father of psychoanalysis, proposed that the human mind consists of three aspects. The Conscious, the Subconscious, and the Unconscious. The Conscious&nbsp;helps us become aware of ourselves and our surrounding environment. The Subconscious consists of memories that one can quickly bring into awareness. Finally, the Unconscious consists of repressed desires and conflicts during childhood. One cannot easily retrieve the memories of the unconscious mind. Moreover, the unconscious mind expresses itself in symbolic forms. The main ways are through dreams, a slip of the tongue (Freudian slip), and free association. Therefore, dreams can act as the door to the unconscious. Freud stated that there are two components of a dream. The latent content and the manifest content. The manifest content is actual and the apparent content of a dream. Meanwhile, the latent content is the hidden meaning of a dream. Jung, however, portrayed a different picture about dreams. According to Jung, dreams were the psyche&#39;s effort to represent significant aspects of one&#39;s life. Dreams are a compass for the mind. Dreams help the individual to attain a sense of individuality. When a person individuates, they better understand that their sense of self is separate from their parents and other significant people who help them develop their conscience during their growing years. There exists a peculiar relationship between the unconscious, dreams, and art. Surrealism is an artistic and literary movement that began in Europe in the early 1920s. It features fantastic, whimsical, and dreamlike images that express an alternate reality, which the members of this movement refer to as &ldquo;surreality&rdquo; (Breton 1972). Surrealists employ a variety of techniques derived from psychology and alchemy, as well as from previous artistic movements, to induce the inspiration necessary to experience and express this &ldquo;surreality.&rdquo; Surrealism is not merely a creative movement but is also a way of life with strong philosophical underpinnings. The Surrealists&rsquo; project bridges the gap between ordinary wake-state consciousness and those more unconscious processes associated with dreams, imagination, illusion, and madness (Colville 1991). Breton further states the idea of Surrealism aims at the total recovery of our psychic force by nothing other than the dizzying descent into ourselves. The systematic illumination of hidden places and the darkening of other places, the never ending shift into the midst of forbidden territory (Breton 1972). Artists associated with this movement are Man Ray, Rene&acute; Magritte, Salvador Dal&#305;&acute;, Andre&acute; Breton, Max Ernst, Giorgio de Chirico, Leonora Carrington, Remedios Varo, and Yves Tanguy, among others (Alexandrian 1985; Waldberg 1971). One of the techniques employed by Surrealists was automatism, a technique inspired by spiritualism in which the artist places him-or herself in a passive, receptive state, forgets about the usual parameters of one&rsquo;s creative or artistic abilities, and writes or paints quickly without any preconceived subject in mind (Breton 1972). Art rebalances our psyche. It is a universal mental concept that is present in all the members of the human species. An angry individual can find peace in art, while an overly optimistic individual can learn to be somewhat reasonable by understanding the grim aspects of life through art. The hopeless stumble on hope, and the lonely find solace in art Therefore, to conclude, art enables us to delve deeper into our psyche. Art permeates our reality and helps us to express ourselves unconditionally. Art enables us to appreciate our suffering. Art redirects our attention to the more critical aspects of our life. Without art, life would be a tragedy. Thus, art transforms tragedy into beauty. Reference: Moore, C. (2014). Surrealism, Religion and Psychology. Encyclopedia of Psychology and Religion .

Art: A Doorway Into The Unconscious 

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.063352219396265011628072882664%2FThe%20Three%20Faces%20Of%20Love_AyushDubey_1.webp?alt=media&token=d91b8018-48f3-4ae4-b37e-2d524bebbfb5" alt="" width="783" height="560" />Love is fodder for poets, a form of expression for artists, a mystery for science, and a dilemma for philosophers. Everyone strives to understand and define love from their perspective. Yet love is a universal state free from the bonds of personal inclination.&nbsp;Everyone craves love. Try all you can, but you can never do away with the fleeting sense of love. Man is a social animal who hopes with the help of love. Love is a significant driving force for the majority of our actions.&nbsp;The quest to know about the true nature of love is a complex feat to achieve. The triangular theory of love is one theory that explains the three faces of love psychologically.Robert Sternberg states that love comprises three components: Intimacy, Passion, and Commitment/Decision. The Intimacy component encompasses feelings of closeness, affection, and connectedness. The Passion component comprises the motivational drives relating to sex, physical proximity, and romance. This component symbolizes intense, physiologically arousing feelings of attraction. Finally, the third aspect of love, the Decision/Commitment, embodies both the initial cognition that one loves another person and the long-term determination to maintain that love.People can experience these three aspects of love in entirely different ways. Thus, these three components can create eight different types of love depending on which of the three components are present or missing from a relationship.&nbsp;Table 1: The Combinations of Love&nbsp;<table style="width: 604.6px; border-color: #000000; height: 200px;" border="1"> <tbody> <tr> <td style="width: 156px;"> Type of love&nbsp; </td> <td style="width: 97px;"> Intimacy </td> <td style="width: 104px;"> Passion </td> <td style="width: 216.6px;"> Decision/ Commitment&nbsp; </td> </tr> <tr> <td style="width: 156px;"> Nonlove&nbsp; </td> <td style="width: 97px;"> Absent&nbsp; </td> <td style="width: 104px;"> Absent&nbsp; </td> <td style="width: 216.6px;"> Absent&nbsp; </td> </tr> <tr> <td style="width: 156px;"> Liking&nbsp; </td> <td style="width: 97px;"> Present&nbsp; </td> <td style="width: 104px;"> Absent&nbsp; </td> <td style="width: 216.6px;"> Absent&nbsp; </td> </tr> <tr> <td style="width: 156px;"> Infatuated love&nbsp; </td> <td style="width: 97px;"> Absent&nbsp; </td> <td style="width: 104px;"> Present&nbsp; </td> <td style="width: 216.6px;"> Absent&nbsp; </td> </tr> <tr> <td style="width: 156px;"> Empty love&nbsp; </td> <td style="width: 97px;"> Absent&nbsp; </td> <td style="width: 104px;"> Absent&nbsp; </td> <td style="width: 216.6px;"> Present&nbsp; </td> </tr> <tr> <td style="width: 156px;"> Romantic love&nbsp; </td> <td style="width: 97px;"> Present&nbsp; </td> <td style="width: 104px;"> Present&nbsp; </td> <td style="width: 216.6px;"> Absent&nbsp; </td> </tr> <tr> <td style="width: 156px;"> Companionate love&nbsp; </td> <td style="width: 97px;"> Present&nbsp; </td> <td style="width: 104px;"> Absent&nbsp; </td> <td style="width: 216.6px;"> Present&nbsp; </td> </tr> <tr> <td style="width: 156px;"> Fatuous love&nbsp; </td> <td style="width: 97px;"> Absent&nbsp; </td> <td style="width: 104px;"> Present&nbsp; </td> <td style="width: 216.6px;"> Present&nbsp; </td> </tr> <tr> <td style="width: 156px;"> Consummate love&nbsp; </td> <td style="width: 97px;"> Present&nbsp; </td> <td style="width: 104px;"> Present&nbsp; </td> <td style="width: 216.6px;"> Present&nbsp; </td> </tr> </tbody></table>From the table, nonlove refers to people who have the most casual relationships. It consists of the absence of the three components of love. Liking develops when only intimacy is present; Infatuated love exists when only passion exists between the partners, and empty love exists when only decision/ commitment exists between the partners.&nbsp;Other types of love involve a mix of two or more components. For instance, romantic love occurs when intimacy and passion are present and companionate love when intimacy and decision/ commitment occur jointly. When two people experience romantic love, they report physical attraction and emotional connection, but they do not necessarily view the relationship as lasting. On the other hand, companionate love may occur in long-lasting relationships in which physical passion has taken a back seat.&nbsp;Fatuous love exists when passion and decision/commitment, without intimacy, are present. Fatuous love is mindless loving in which there is no emotional bond between the partners.&nbsp;Finally, the eighth kind of love is consummate love. In consummate love, all three components of love are present. Although one might assume that consummate love represents the ideal love, this isn't the case. On the contrary, many long-lasting and entirely satisfactional relationships encompass different types of love other than consummate love. Furthermore, the kind of love that predominates in a relationship varies over time.Throughout a relationship, the three aspects of love &mdash; intimacy, passion, and decision/commitment - vary in strength. In healthy, prosperous, and loving relationships, the level of decision/ commitment peaks and remains relatively stable. On the other hand, passion tends to peak early in the relationship but then declines and levels off. Intimacy also increases fairly rapidly but can continue to grow over time.The beauty of Sternberg's triangular theory of love is that it emphasizes both the complexity of love and its dynamic, ever-evolving nature. As people mature, so do their relationships, both with themselves and with others. Love is about being agile. Love is about embracing &nbsp;&nbsp;

The Three Faces Of Love

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0202072586930484021635362946595%2Fimage1.webp?alt=media&token=754af849-7759-4104-ad5a-eb79787e56b8" alt="File preview" width="500" /> In the final article in this 3 part series, we will discuss whether or not society really needs morals in order to function, as well as the principles of justice and equality when making moral considerations. <h3> Do We Really Need a Defined Set of Morals for Society to Function? </h3> No ethical or moral system is likely to be perfect in all cases. There are simply too many different possible scenarios along with their variables that can arise for any single value system to provide perfect solutions all of the time. If a set of moral principles is too vague, then the answers it offers become unclear. But if an ethical system becomes too precisely delineated, everyone becomes weighed down with expansive legalism that is difficult to follow. Human beings are social animals by nature, and there are currently 7.8 billion of us living together. Suppose certain classes of people acted only as ends unto themselves, such as the higher human beings that Nietzsche refers to. How would we collectively begin to achieve any sort of overall harmony of value judgments? How would this affect how we treat each other? For instance, would it be permissible for a &lsquo;higher man&rsquo; to treat other persons from the herd however they pleased - since their moral judgments are far beyond what lesser individuals can comprehend? Any student of 20th-century history quickly realizes how problematic and dangerous such ideas have the potential to become. Or are there universal moral principles that supersede the individual&rsquo;s will? While adhering to an established system of morals might diminish the individual&#39;s autonomous range, perhaps a different sort of freedom might arise. Would it be possible to free the self in service of a greater good instead of being slaves to our impulses or cyclically pursuing our own ends? Additionally, while the idea of great men creating their own values and pushing the envelope of morality sounds good in theory, how would it work relative to history? Since little is truly new under the sun, and everything that exists now has essentially come before in some form or another, how would someone trying to create their own values manage to do anything truly unique? Somewhere, sometime, someone on this planet has likely been confronted with a similar moral choice that mirrors almost any that we could face. And since the energy of life on this earth remains interconnected as it moves through time, it would seem that we are simply playing a temporary role in continuing a much larger cycle of cause and effect. Learning from life often involves making mistakes and trying not to repeat them. This process continues the cycle of growth that leads us away from stagnation or decay. To see clearly and learn from the mistakes of others without suffering the same fate is wisdom. Perhaps the moral insights that will become most valuable to us are those that we discover both from the real pain of our mistakes along with looking to the cumulative wisdom of others. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0202072586930484021635362946595%2Fimage3.webp?alt=media&token=093e5089-0370-4744-b7c9-10e334f29d6f" alt="File preview" width="700" height="466" /> <h3> The Moral Issues of Equality and Justice </h3> Finally, perhaps by considering the relationship of morality to other integral principles, we can better balance personal freedom and social responsibilities. One of the foundational principles of ethics is that of equality in regards to justice. Because while all human beings may not be physically, intellectually, socially, or financially equal, all are endowed with a basic set of rights. All are equally deserving of moral consideration. If you remove this fundamental principle from any ethical equation, it will likely result in some form of inequality and exploitation of a person (or group) by another. And a moral system based on exploitation isn&rsquo;t much of a moral system at all. <ul> <li> Any system that allows certain individuals the absolute freedom to ignore the rights of the larger, collective group or target the rights of other individuals is explicitly not ethical. </li> <li> But the systemic process of allowing groups in power to overreach and interfere with certain innate personal freedoms of individuals (thereby limiting their potential) is also harmful and unethical. </li> </ul> Is there some system that might better balance the rights of various individuals from all groups? &nbsp;No system will be perfect for all members since there are so many diverse situations and characteristics. But using universal principles of some kind to formulate a baseline of ethical standards applicable to all must occur to ensure fundamental rights. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0202072586930484021635362946595%2Fimage2.webp?alt=media&token=645165b3-3f48-4c44-a0ff-d44e6ebf4138" alt="File preview" width="700" height="466" /> <h3>Article Summary:</h3> <ul> <li> If we fail to thoroughly examine the validity of our most deeply held values, to recognize where they come from and why they are important, they become hollow and meaningless over time. When values lose their integrity, it leads to blind obedience, unquestioning conformity, and moral stagnation. </li> <li> However, suppose we set ourselves adrift in a sea of moral relativism or begin to say that there are no universal moral truths that are greater than our own free will. In that case, we risk becoming lost in ourselves and falling prey to our biases and desires. We risk creating a hell on earth while trying to fashion a paradise of our own design. </li> </ul>

Part 3 of 3: The Development of Morality - Nietzsche vs Kohlberg

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.088762256553584831628072882401%2FThe%20Illusion%20of%20Happiness_AyushDubey_1.webp?alt=media&token=6b125df9-b06f-435c-8713-875570e3839e" alt="" width="764" height="509" />Human beings seek happiness, and the majority of the activity we perform is to achieve a certain amount of joy, be it in any form. For some people, the pursuit of happiness summarizes their existence. However, there are times when we think about what exactly we are trying to achieve when we talk about happiness.Everyone has different opinions about happiness. These differences make it challenging to explain happiness in a general, all-inclusive manner. There are times when the pursuit of happiness itself seems mundane, and this realization makes us feel delusional. Delusional because we realize that we have been dreaming of something so abstract and naive.Happiness is never an end in itself because the things that make us happy tell a lot about our nature itself. Therefore, we can use happiness to go within and think about the true nature of human existence. Happiness has its origin in struggle, and accepting this truth will save us from a lot of disappointment. The funny thing is that we desire happiness because we want to escape our sufferings. However, the condition of human beings is that first, we toil and then realize that we have to struggle some more, and from time to time, we are lucky enough to experience a momentary bliss as we go through life.When Camus said the struggle itself towards the height is enough to fill a man&rsquo;s heart, living this life alone is enough to make us feel fulfilled. However, the more we live and go through life, the more we realize that suffering is universal. Thus, our sole purpose must be to create subjective meaning and strive through struggle instead of longing for happiness.Subjective meaning is essential for happiness because having a personal purpose is a constructive illusion. It allows us to attach importance to our endless sufferings. We come to realize that our fate is tragic, and there&rsquo;s no one coming to rescue us. Yet we enjoy our severe hardship, for the fruits of our agony are in the form of happiness. This realization makes us feel fulfilled even for a brief period, and if true happiness does exist, it is in this realization. Because of this reason, all of us occupy ourselves. We do it to fill the eternal void in our life. The more we indulge in meaningful activities, the more we realize that every instance of our life can form meaning in itself if we let it.&nbsp;Thus, going through these petty days makes us realise that happiness was never and will never be a destination in the end. It is instead a path, a journey, and being alive with a crippling sense of absurdity is a task and a reward in itself. The reason being that life justifies itself, and one can only understand this as one lives through the questions and the daily struggle. At the same time, discovering something sustainable will kindle hope for us and others around them, even for a brief time. Happiness follows when we realize that joy and absurdity are inseparable.We indeed use our future to escape our present. We live in those moments where we find peace; it can be in the form of living the memories or dreaming about the future. So one needs a standpoint about where one&rsquo;s existence is heading, and that abstract, hopeful idea can inspire us. So if we continue to strive for meaning that we find sustainable despite the realization that we shall cease to exist in the end, we are no less than gods, for we are truly conscious of our fate and our existence.&nbsp;Thus, happiness is an illusion. We constantly misinterpret the root essence of happiness, and it isn&rsquo;t something to be locked inside a vault or something which will stay with us forever. We cannot pursue happiness, and the more we seek it, the more it feels like sand in our palms. On the other hand, we must commit to a cause that we find meaningful and sustain ourselves and others around us. Use the absurdity of your existence to honor your sufferings and embrace the existential dread which arises in the form of existential agony. We are the modern Sisyphus.&nbsp;

The Illusion of Happiness

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.069722072775078691635260788558%2Fimage1.webp?alt=media&token=1ba4366e-2b0d-4bf4-8b09-4cd52786240a" alt="File preview" width="700" height="466" /> Setting the Scene: Lawrence Kohlberg (1927-1987) was an American Psychologist who studied how people solved moral dilemmas. Kohlberg’s work often involved posing various moral questions to his research subjects. A famous example would be the ‘Heinz dilemma.’ It was a hypothetical question regarding a man who had the chance to steal life-saving drugs for his very sick wife and why he might decide to choose a specific course of action over another. To correctly classify these responses, Kohlberg proposed a basic construct for categorizing them that correspond to different moral developmental reasoning stages. Over the years, there has been some criticism of its limitations and legitimate questions about its scope and accuracy. However, it gives us an excellent starting point to begin our discussion on the topic of morality. <table style="width: 468pt; border-collapse: collapse; margin-left: 5pt"> <tr style="height: 27.25pt"> <td colspan="3" style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 2.25pt; padding-left: 5pt; padding-right: 5pt; padding-top: 5pt; padding-bottom: 3.88pt; vertical-align: bottom; " > The 6 Stages/Levels of Moral Development according to Kohlberg </td> </tr> <tr style="height: 21.25pt"></tr> <tr style="height: 25.75pt"> <td rowspan="2" style=" border-top-color: #000000; border-top-style: solid; border-top-width: 1pt; border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; padding: 5pt; width: fit-content !important; " > Preconventional Morality </td> <td style=" border-top-color: #000000; border-top-style: solid; border-top-width: 1pt; border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 1 </td> <td style=" border-top-color: #000000; border-top-style: solid; border-top-width: 1pt; border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Punishment and Obedience - Follow the rules to avoid punishment </td> </tr> <tr style="height: 27.25pt"> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 2 </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Self Interest - How does complying with the rules benefit me? </td> </tr> <tr style="height: 25.75pt"> <td rowspan="2" style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; padding: 5pt; width: fit-content !important; " > Conventional Morality </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 3 </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Social Norms - Conforming to others expectations of goodness </td> </tr> <tr style="height: 27.25pt"> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 4 </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Law and Order - Submission to authority because it’s the law </td> </tr> <tr style="height: 25.75pt"> <td rowspan="3" style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; padding-left: 4.5pt; padding-right: 5pt; padding-top: 5pt; padding-bottom: 4.5pt; padding: 5pt; width: fit-content !important; " > Postconventional Morality </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 5 </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Social Contract - Do it for the greater common good </td> </tr> <tr style="height: 25.75pt"> <td rowspan="2" style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 6 </td> <td rowspan="2" style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Universal Ethical Principles - moral code based on universal values greater than oneself takes precedence over lesser laws and social mores </td> </tr> <tr style="height: 35.5pt"></tr> </table> <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.069722072775078691635260788558%2Fimage2.webp?alt=media&token=695eccc0-e08e-46c2-ba09-93c68f708d51" alt="File preview" width="700" height="466" /> Friedrich Nietzsche (1844-1900) was a German Philosopher and writer who often considered moral and ethical issues related to the concepts of personal identity and freedom. Nietzsche was a writer of great cleverness and wit. His work is still widely read and quoted to this day, and his ideas helped form the basis of many important discussions on cultural issues during the 20th century. Nietzsche’s writings often focused on the restrictive nature of morality used as a form of groupthink by the masses to suppress the creativity and originality of truly great individuals. Here are some of Nietzsche’s quotes regarding morality: “Morality is just a fiction used by the herd of inferior human beings to hold back the few superior men.” “Let us not underestimate this: we ourselves, we free spirits, are nothing less than a “revaluation of all values,” an incarnate declaration of war and triumph over all the ancient conceptions of “true” and “untrue.”” – The Antichrist “One becomes moral – not because one is moral. Submission to morality can be slavish or vain or selfish or resigned or obtusely enthusiastic or thoughtless or an act of desperation, like submission to a prince: in itself it is nothing moral.” – The Dawn “Convictions are more dangerous enemies of the truth than lies.” – Human, All Too Human For believe me! — the secret for harvesting from existence the greatest fruitfulness and the greatest enjoyment is: to live dangerously! – The Gay Science While every noble morality develops from a triumphant affirmation of itself, slave morality from the outset says No to what is "outside," what is "different," what is "not itself"; and this No is its creative deed. – Genealogy of Morals The Presence of Conflicting Values: Moral debates often arise when conflicting values or goods are considered, and when we must make a choice between them. Moral debates can center around specific issues or concrete examples of conflict that exist in real life. Or, they can also center around broader or more abstract forms of reasoning in hypothetical scenarios. People debating a particular issue can come into conflict because one person is arguing about a single case based on its own specific merits. Another person may be extrapolating from the same data to formulate answers relevant to broader hypothetical situations. The debaters need to recognize the scope of their arguments to compare their conclusions effectively. In this article, we will be dealing with general ideas about morality rather than venturing into a discussion of specific cases. Here are two questions to consider before reading further: · How do we balance a sense of personal freedom and autonomy along with social responsibility and the universal principles of moral integrity? · And are there universal principles of morality that are truly greater than the individual? Or is the greatness of man the measure of all things? In Part 2 of this article, we will begin to compare and contrast some of the ideas of Nietzsche and Kohlberg. There will also be a series of questions for the reader to consider regarding this. Finally, in Part 3 of this article, we will consider the role of morality in building a functional society and how it all ties into the principles of equality and justice.

The Development of Morality - Nietzsche vs Kohlberg - Part 1 of 3

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.067500485203443981630900523657%2FVirtue%20ethics%2CUtilitarianism%20and%20Deontology_1.webp?alt=media&token=e33a80b9-8b93-47b4-aeab-48fcb9e30288" alt="File preview" width="740" height="493" /> Morality is a term coined to separate the good or bad thoughts, the right and wrong actions. Morality is subjective; many great philosophers like Aristotle, Plato, and Kant have given us their approach.&nbsp; To understand the basics of morality, let us take an example, you find a 20 dollar note on the floor, the exact amount required for you to buy that pretty new top you saw yesterday. Here, morality will guide you to ask the people around if they lost a twenty, and if nobody claims it, you give it to the police. Even if it is just a twenty note, it is immoral to keep it with you and spend it. The three main approaches to morality are Virtue ethics, Utilitarianism and Deontology.&nbsp; 1.VIRTUE ETHICS: Virtue ethics theory was given to us by Aristotle. It emphasizes virtues and moral character. It says happiness is our highest goal, and it is achievable by cultivating moral virtues. Once we have developed moral integrity, they can be employed automatically. Let us get a deeper understanding by taking an example: You visit your friend's house for dinner, she has recently learnt how to cook, and wants your opinion. Upon taking the first bite, you feel like the flavour is very off; it is bitter and salty. She is looking at you with excitement, waiting for an opinion. You are in a dilemma; being a good friend, you believe if you are honest, she can work harder and improve, but it might end up hurting her feelings. If you lie, she will be happy, and it might make her day. After contemplating the consequences, you decide to be honest with her. You chose honesty; you took a moral decision. As per virtue ethics, it soon becomes a personality trait if you decide to be honest at times.&nbsp; Virtue ethics can also be summed up as "fake it till you make it." 2.DEONTOLOGY: "An action, to have moral worth, must be done from duty."- Immanuel Kant. Immanuel Kant is one of the most famous philosophers associated with this approach. In Deontology, one is given a set of duties based on what their intuition believes is right and wrong, and one obeys them. Deontology eradicates subjectivity by focusing only on following the duties and not weighing the consequences of one's action. For example, you are a software engineer, and only you know how to hack into the system to stop the missile launch. Hacking is unethical; even if it might save thousands of lives, Deontology will prevent you from hacking. As previously stated, it does not weigh the consequences of the action and only focuses on following the suitable duties. 3.UTILITARIANISM: In Deontology, we studied that we need to obey the duties irrespective of the consequences; however, in utilitarianism, it is otherwise. It believes in taking the action that has the outcome benefiting the majority. It is a species of consequentialism; It evaluates the activity on the possibility of its consequence. In utilitarianism, happiness or pleasure are the only things that have intrinsic value. Continuing the example from Deontology, if we apply the utilitarian approach to the situation, it would suggest that since the one immoral activity will allow thousands of lives to be happy, the software engineer should go ahead.&nbsp; However, the only limitation here is that we cannot always be accurate on the possible outcome. The engineer might hack into the system successfully but fails to prevent the missile launch.&nbsp;So which school of thought do you think we should live by?&nbsp; Share your thoughts in the comments.

Virtue Ethics, Deontology and Utilitarianism

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.038609244985196911630871191338%2FThe%20Distance%20Embracing%20Model%20Of%20Art_2.webp?alt=media&token=85b20cb9-8d38-4ad6-afbb-327842803a74" alt="File preview" width="700" height="466" />Human beings have an inborn desire to express themselves. We as a species are curious, and one way to expand our need for curiosity is through the arts. Art reinforces our imagination and creativity. It enables us to dive deeper into the human consciousness. Art acts as a medium to express our desires and conflicts with a sense of wonder and fascination. It is a mechanism to negotiate with reality. An artist picks up a brush to make peace with their past and hope for a better future.Art makes our reality less ugly, for the colors fill our hearts and mind with a temporary sense of awe. Art keeps us afloat and acts as an emotional compass. Artworks serve as pieces of the puzzle for human existence.&nbsp;Art is a beautiful way of documenting reality, paired with creativity. Through art, we can travel through time and better understand the complexity of our past. Art creates a space where we can communicate with the artist, the creator, through expressions, in any form.&nbsp;Negative emotions are an essential resource for the arts. Negative emotions bring about intense involvement, high memorability and are influential in gripping our attention. Thus, they hold a special place in the memory of events in our life. A fine piece of art attempts to achieve the given characteristics. Thus, art that leads to negative emotions etches a saga in our memory.&nbsp;<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.038609244985196911630871191338%2FThe%20Distance%20Embracing%20Model%20Of%20Art_1.webp?alt=media&token=659d27f1-b221-4763-858d-1691751f8957" alt="File preview" width="700" height="466" />The theory of tragedy proposed by Aristotle states that the main aim of tragedy is to bring about a catharsis of spectators &mdash; to give rise to emotions of pity, fear, and hope. So that the spectators leave the theatre feeling cleansed and uplifted. Art is therapeutic. However, the theory of tragedy sounds like a profound contradiction because we want to be happy, right? We seek happiness in art. So why do art forms which lead to negative emotions move us? Since Greek and Latin antiquity, treatises on rhetoric and poetics widely assume that artworks compete for attention, intense emotional involvement, and high memorability (Lausberg 1998; Quintilian 1920). Recent psychological research has provided evidence that many negative emotions have a powerful grip on attention, are intensely felt, are less prone to fade or return to baseline level than positive emotions, and often have access to privileged storage in memory (Cacioppo &amp; Gardner 1999; Frijda 1988; Larsen &amp; Prizmic 2008; Musch &amp; Klauer 2003; Rozin &amp; Royzman 2001; Vaish et al. 2008). The formula "bad is stronger than good" (Baumeister et al. 2001) provocatively summarizes this line of research.&nbsp;The psychologist Winfried Menninghuas has offered the 'distance - embracing' model to explain why we love and appreciate art that brings about negative feelings. Art invites us to embrace our negative emotions. Through art, we learn to sit with the uncomfortable feelings which were unexpressed. Art unearths the feelings that reside in the hidden corners of our minds. Research into different types of pleasure has shown that intellectual and emotional pleasures (including those of art reception) routinely "encompass negative emotions like sadness &hellip; and positive emotions that entail complex appraisal" (Dub&eacute;&amp;LeBel2003,p.291; see also Berenbaum 2002). In contrast, physical pleasures tend to be least affected by concomitant negative emotions (Dub&eacute; &amp; Le Bel 2003).&nbsp;However, when we experience negative emotions while seeing any art form, we distance ourselves from these negative emotions and control them. Thus, through this process, we better understand ourselves and our unexpressed hidden self. Importantly, recent research has shown that chills and goosebumps in art contexts are physiological correlates of states of being emotionally moved (Benedek &amp; Kaernbach 2011; Wassiliwizky et al. 2015).Therefore, we can conclude that art is a way of stumbling on a truth. The fact that life consists of ingrained suffering. Yet, art preserves the pieces of humanity by acting as a mirror for humans. We resort to the idea of art when we experience sorrow. No matter how broken one is, art can mend and comfort even the torn souls.Art is mood, an emotion, a behavior because, through art, one discovers a medium of expression. It helps us connect with our deeper self and realize that true beauty exists in tragedy. Humans are an elegant tragedy, and art molds us into beings of higher consciousness.&nbsp;&nbsp;

The Distance Embracing Model Of Art

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.048438063517993961630902440187%2FProcrastination_1.webp?alt=media&token=8f9134e8-755b-402a-b71f-653b2809f51f" alt="File preview" width="400" height="601" />There are times when staring at a blank wall is interesting. And mostly, these are times when your desk nearby with its papers, sticky notes, and laptop screams for your attention. As much as you want to sit staring at the wall, which is not even the part with the pictures on it, but just white paint, your desk won&rsquo;t let you grant its opponent all the attention you wish to. You keep denying your desk&rsquo;s call, but you also don&rsquo;t feel so good about your response. It drives you into a battle between the rebel in you not wanting to sit at the desk for work vs the work itself. &ldquo;It&rsquo;s okay. Everybody procrastinates&rdquo;, you would think as you turn your eyes back at the wall.&nbsp;The term procrastination has been so often used for any scenario where critical work is not given enough importance that it has become a metonym for laziness. We closely associate it with one&rsquo;s inability to manage time, lack of willpower, and the like. But is it the paucity of your time management skills that keeps you hanging indefinitely between responsibility and your action? Procrastination indeed looks like a regulation issue. But what if it isn&rsquo;t about the regulation of time but of your emotions instead?Tim Pychyl, an associate professor of psychology at Carleton University, believes that &ldquo;Procrastination is not a time-management problem, it&rsquo;s an emotion-management problem.&rdquo; In his book &lsquo;Solving the Procrastination Puzzle,&rsquo; he defines procrastination as &ldquo;a voluntary delay of an intended act despite the knowledge that this delay may harm us.&rdquo; As much clarity and truth it holds, this very definition is also one of something that is against human nature. We are inclined to seek satisfaction and happiness and perform deeds that bring us closer to these. Why would you sense danger and still choose to delay your tasks if ticking them off your list is what would make you happy? There could be times where even after allotting a specific slot of your day for a task, you do not find yourself doing it very efficiently.Though time management plays a crucial role in meeting deadlines, it is not the only reason someone slacks off. When properly looked into, procrastination doesn&rsquo;t look like a problem with your time management. Instead, it seems like an emotion-focused coping strategy, wherein your inner critic comes into play. Self-judgment naturally follows, but you should channel it tastefully such that you move forward, offering self-compassion rather than questioning your abilities and sinking in guilt.As Pychyl says, &ldquo;to the extent that I can deal with my emotions, I can stay on task,&rdquo; handling your emotions is essential for working, regardless of how petty it sounds.Gathering ideas to overcome procrastination often results in rumination and self-loathing, taking us further away from the solution. But what is &lsquo;the&rsquo; solution? It is unreasonable to expect to find a single solution to such a complex issue as procrastination. The cause and resolution are not the same for everyone. What could be possible reasons behind this issue that becomes a &lsquo;suffering&rsquo; in the long run?<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.048438063517993961630902440187%2FProcrastination_2.webp?alt=media&token=569ee435-64b8-4434-969a-19d1fe29692b" alt="File preview" width="739" height="492" />Another psychologist named Piers Steel from the University of Calgary wrote a paper called &lsquo;The Nature of Procrastination: A Meta-Analytic and Theoretical Review of Quintessential Self-Regulatory Failure&rsquo;, wherein he reported four major possible causes of procrastination:i) Low Self Confidence: Your willingness to do a task is likely to drop if you are not confident enough about the process and outcome. Being afraid of your inability to meet your expectations and those from others is a cue for your procrastination to rise. Reduce negative self-talk, as this will add layers to your anxiety. Forgive yourself if you make mistakes, but more importantly, appreciate yourself for every move you make.ii) Pleasure derived from the task: It's less probable that you&rsquo;ll delay a task if it's exciting or rewarding enough. The boredom associated with the task plays a higher role than its difficulty in foreseeing the level of procrastination. When you don&rsquo;t feel like working on something, try to find what could be holding you back. Face your negative thoughts related to the task at hand, don&rsquo;t try to run away.iii) Distractibility: Sometimes, it could be that you want to finish a task, but your environment hinders your focus and forces you to do otherwise. Putting away things that are likely to distract you and finding a new domain or modifying your present one to suit yourself will help you stay focused on completing the task.iv) Relaxed deadlines: It's pretty natural to want to take more leisure time before starting a task when you know there is enough time to do it. Doing so might be helpful to relax if carefully worked on, but procrastination usually takes over, dominates, and makes you haste in the last moment. To manage a distant deadline, break it down into smaller deadlines and tackle them every day. Train yourself to finish the work first, and enjoy the remaining time as leisurely as you want.Other factors like denial of consequences and rebelliousness do support these causes.Bringing in some math to his theory, Steel has put the above coworking factors in the form of an equation. The product of your self-confidence and the pleasure from the task, divided by the product of your distractibility and time till deadline, gives your chances of not procrastinating on your task. In simpler terms, the first two factors need to be increased, while the latter two need to be decreased to improve your productivity.People procrastinate differently. The key is to identify your vulnerability and work on it. Hence, this equation can only be used as a guide and not as the final solution to solve the issue. Keep tuning these factors and the others that support them until you are satisfied with the level of mental and situational comfort.Do not see procrastination as a personality problem. It is only an inner critic trying to talk to you. So listen, and communicate through actions!

What do think about this idea?

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