<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.69511484942177451636272260507%2Fimage2.webp?alt=media&token=2c5c993f-01e5-43d0-919f-277a08a96073" alt="File preview" width="700" height="466" /> While &quot;Be Yourself&quot; is an appealing message to market and sell. Is it really something that all of us should strive for? And how can anyone actually be themselves in this world? Here we question the liberal ideas of favouring the individual, often over the collective that is society. We discuss and debate whether always putting yourself first is sustainable and the consequences of going ahead with that idea as a society. Take the example of cars on the road. At an intersection, you observe people fighting for their chance to cross, all the while creating a stir that leaves everyone stranded. Of course, you want to go first, why wouldn&#39;t you, but so does the person right next to you. You&#39;re late for your meeting the second time this week, but they have a medical emergency. But since you only focus on yourself, you cut corners and try to drive away first and end up adding to the commotion. The Indian road safety campaign of &quot;Pehle Aap&quot; (Meaning &#39;You First&#39;) is the perfect indication of the need to put others first to avoid literal and metaphorical traffic jams aka, the stalling of society. But one can argue that at least in their homes, people can put themselves first and act the way they want. It is a scale down from society, but even at home, other people are fighting to do things their way. It is not peaceful and sustainable if everyone in that boundary is fighting for their way, there is no structure or protocol, no rules or regulations. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.69511484942177451636272260507%2Fimage3.webp?alt=media&token=1a853465-d14a-4c57-b29a-3065276c559a" alt="File preview" width="700" height="466" /> Let&#39;s zoom out and look at society. Suppose everyone starts acting individually, putting their needs and wants ahead of everyone else. In that case, we create a petri dish of randomness. The chaos that people would say is unnecessary. It would be the death of altruism as a direct result of individualism. Self over service. How long do you think society would operate at the current level of peace once we start acting more individually? I vote, not very long. You do you, act the way you want, but does this mean we have no regard for other people or society? We can extrapolate this idea to all aspects of life, both internal and social. Individually, when you do not operate under personal values or guidelines, life quickly turns to chaos. You end up having to make every decision for yourself at every juncture, and it is draining. And who&#39;s to say that you are well equipped to take every decision even if it only affects you? Turn to social media, and you find almost everyone propagating the ideas of &#39;Do what feels right, &#39;You do you, &#39;Be Yourself&#39;, &#39;Don&#39;t succumb to society&#39;. Paradoxically, if everyone starts adhering to this philosophy, you succumb to the idea of not succumbing to society. A trap to get out of another trap. Liberty is a new religion. One way it manifests is in the noble idea of doing what you want and not pandering to anyone else&#39;s needs or demands; of course, why should you? It is your life, after all. But this outlook itself is a marketing gimmick that brands and companies use to associate themselves with freedom, passion, and strength. You glorify the ideas of freedom and liberty, where you get to do what you want and be satisfied all the time but you still punch in at 9 AM in a dingy office space, where your superiors already line up your work, and you have to report before the end of the day or kiss your bonus goodbye. It does not feel very free, does it? But this is precisely how the majority of the working class live. Don&#39;t get me wrong. There is no vendetta against individualism here. The intention is to highlight that your mundane life is not substandard. You can very well be satisfied in such a life only if you choose not to give in to the idea of &#39;not succumbing to society&#39;. Some people thrive under strict rules and deadlines. Having to make every decision for yourself is a source of anxiety for many people. It makes them accountable for all their actions, and only they are to blame if things go sideways. It is a huge fear. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.69511484942177451636272260507%2Fimage1.webp?alt=media&token=d7dc7932-a03a-43d8-bf28-2b8b4b60e01f" alt="File preview" width="700" height="466" /> People need direction, handholding, and rules to function well in society. The absence of these would cause them to self-destruct or cause a failure of peaceful social structures. The paradox of choice also comes into play here. The more decisions and options we are exposed to, the higher the mental toll they take. Every decision we make has a cost. The more decisions we make, the more depleted our decision-making faculty gets. Our ability to make the right ones declines with every subsequent decision. This phenomenon sneaks up on you, where towards the end of the day, you find yourself making emotional and rash choices that you end up regretting the following morning. Classic case of decision fatigue. Hence it makes sense to follow rules and adhere to norms. It is, of course, if the rules themselves don&#39;t come at a personal cost. Exposure to all these choices and decisions also then lead to widespread anger and frustration. People will be drained of fighting internal and external battles all the time. At times it is not only okay to give up decision making, but rather it is warranted. It is not meant to advocate mass rulings and strict adherence but to question the utopian idea of liberty itself. Is having the liberty to choose everything for yourself ultimately beneficial to you and society, or is it just an impressive vision to sell? What do you think? Share your thoughts with us in the comments.

Paradox of Being Yourself

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.063352219396265011628072882664%2FThe%20Three%20Faces%20Of%20Love_AyushDubey_1.webp?alt=media&token=d91b8018-48f3-4ae4-b37e-2d524bebbfb5" alt="" width="783" height="560" />Love is fodder for poets, a form of expression for artists, a mystery for science, and a dilemma for philosophers. Everyone strives to understand and define love from their perspective. Yet love is a universal state free from the bonds of personal inclination.&nbsp;Everyone craves love. Try all you can, but you can never do away with the fleeting sense of love. Man is a social animal who hopes with the help of love. Love is a significant driving force for the majority of our actions.&nbsp;The quest to know about the true nature of love is a complex feat to achieve. The triangular theory of love is one theory that explains the three faces of love psychologically.Robert Sternberg states that love comprises three components: Intimacy, Passion, and Commitment/Decision. The Intimacy component encompasses feelings of closeness, affection, and connectedness. The Passion component comprises the motivational drives relating to sex, physical proximity, and romance. This component symbolizes intense, physiologically arousing feelings of attraction. Finally, the third aspect of love, the Decision/Commitment, embodies both the initial cognition that one loves another person and the long-term determination to maintain that love.People can experience these three aspects of love in entirely different ways. Thus, these three components can create eight different types of love depending on which of the three components are present or missing from a relationship.&nbsp;Table 1: The Combinations of Love&nbsp;<table style="width: 604.6px; border-color: #000000; height: 200px;" border="1"> <tbody> <tr> <td style="width: 156px;"> Type of love&nbsp; </td> <td style="width: 97px;"> Intimacy </td> <td style="width: 104px;"> Passion </td> <td style="width: 216.6px;"> Decision/ Commitment&nbsp; </td> </tr> <tr> <td style="width: 156px;"> Nonlove&nbsp; </td> <td style="width: 97px;"> Absent&nbsp; </td> <td style="width: 104px;"> Absent&nbsp; </td> <td style="width: 216.6px;"> Absent&nbsp; </td> </tr> <tr> <td style="width: 156px;"> Liking&nbsp; </td> <td style="width: 97px;"> Present&nbsp; </td> <td style="width: 104px;"> Absent&nbsp; </td> <td style="width: 216.6px;"> Absent&nbsp; </td> </tr> <tr> <td style="width: 156px;"> Infatuated love&nbsp; </td> <td style="width: 97px;"> Absent&nbsp; </td> <td style="width: 104px;"> Present&nbsp; </td> <td style="width: 216.6px;"> Absent&nbsp; </td> </tr> <tr> <td style="width: 156px;"> Empty love&nbsp; </td> <td style="width: 97px;"> Absent&nbsp; </td> <td style="width: 104px;"> Absent&nbsp; </td> <td style="width: 216.6px;"> Present&nbsp; </td> </tr> <tr> <td style="width: 156px;"> Romantic love&nbsp; </td> <td style="width: 97px;"> Present&nbsp; </td> <td style="width: 104px;"> Present&nbsp; </td> <td style="width: 216.6px;"> Absent&nbsp; </td> </tr> <tr> <td style="width: 156px;"> Companionate love&nbsp; </td> <td style="width: 97px;"> Present&nbsp; </td> <td style="width: 104px;"> Absent&nbsp; </td> <td style="width: 216.6px;"> Present&nbsp; </td> </tr> <tr> <td style="width: 156px;"> Fatuous love&nbsp; </td> <td style="width: 97px;"> Absent&nbsp; </td> <td style="width: 104px;"> Present&nbsp; </td> <td style="width: 216.6px;"> Present&nbsp; </td> </tr> <tr> <td style="width: 156px;"> Consummate love&nbsp; </td> <td style="width: 97px;"> Present&nbsp; </td> <td style="width: 104px;"> Present&nbsp; </td> <td style="width: 216.6px;"> Present&nbsp; </td> </tr> </tbody></table>From the table, nonlove refers to people who have the most casual relationships. It consists of the absence of the three components of love. Liking develops when only intimacy is present; Infatuated love exists when only passion exists between the partners, and empty love exists when only decision/ commitment exists between the partners.&nbsp;Other types of love involve a mix of two or more components. For instance, romantic love occurs when intimacy and passion are present and companionate love when intimacy and decision/ commitment occur jointly. When two people experience romantic love, they report physical attraction and emotional connection, but they do not necessarily view the relationship as lasting. On the other hand, companionate love may occur in long-lasting relationships in which physical passion has taken a back seat.&nbsp;Fatuous love exists when passion and decision/commitment, without intimacy, are present. Fatuous love is mindless loving in which there is no emotional bond between the partners.&nbsp;Finally, the eighth kind of love is consummate love. In consummate love, all three components of love are present. Although one might assume that consummate love represents the ideal love, this isn't the case. On the contrary, many long-lasting and entirely satisfactional relationships encompass different types of love other than consummate love. Furthermore, the kind of love that predominates in a relationship varies over time.Throughout a relationship, the three aspects of love &mdash; intimacy, passion, and decision/commitment - vary in strength. In healthy, prosperous, and loving relationships, the level of decision/ commitment peaks and remains relatively stable. On the other hand, passion tends to peak early in the relationship but then declines and levels off. Intimacy also increases fairly rapidly but can continue to grow over time.The beauty of Sternberg's triangular theory of love is that it emphasizes both the complexity of love and its dynamic, ever-evolving nature. As people mature, so do their relationships, both with themselves and with others. Love is about being agile. Love is about embracing &nbsp;&nbsp;

The Three Faces Of Love

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.088762256553584831628072882401%2FThe%20Illusion%20of%20Happiness_AyushDubey_1.webp?alt=media&token=6b125df9-b06f-435c-8713-875570e3839e" alt="" width="764" height="509" />Human beings seek happiness, and the majority of the activity we perform is to achieve a certain amount of joy, be it in any form. For some people, the pursuit of happiness summarizes their existence. However, there are times when we think about what exactly we are trying to achieve when we talk about happiness.Everyone has different opinions about happiness. These differences make it challenging to explain happiness in a general, all-inclusive manner. There are times when the pursuit of happiness itself seems mundane, and this realization makes us feel delusional. Delusional because we realize that we have been dreaming of something so abstract and naive.Happiness is never an end in itself because the things that make us happy tell a lot about our nature itself. Therefore, we can use happiness to go within and think about the true nature of human existence. Happiness has its origin in struggle, and accepting this truth will save us from a lot of disappointment. The funny thing is that we desire happiness because we want to escape our sufferings. However, the condition of human beings is that first, we toil and then realize that we have to struggle some more, and from time to time, we are lucky enough to experience a momentary bliss as we go through life.When Camus said the struggle itself towards the height is enough to fill a man&rsquo;s heart, living this life alone is enough to make us feel fulfilled. However, the more we live and go through life, the more we realize that suffering is universal. Thus, our sole purpose must be to create subjective meaning and strive through struggle instead of longing for happiness.Subjective meaning is essential for happiness because having a personal purpose is a constructive illusion. It allows us to attach importance to our endless sufferings. We come to realize that our fate is tragic, and there&rsquo;s no one coming to rescue us. Yet we enjoy our severe hardship, for the fruits of our agony are in the form of happiness. This realization makes us feel fulfilled even for a brief period, and if true happiness does exist, it is in this realization. Because of this reason, all of us occupy ourselves. We do it to fill the eternal void in our life. The more we indulge in meaningful activities, the more we realize that every instance of our life can form meaning in itself if we let it.&nbsp;Thus, going through these petty days makes us realise that happiness was never and will never be a destination in the end. It is instead a path, a journey, and being alive with a crippling sense of absurdity is a task and a reward in itself. The reason being that life justifies itself, and one can only understand this as one lives through the questions and the daily struggle. At the same time, discovering something sustainable will kindle hope for us and others around them, even for a brief time. Happiness follows when we realize that joy and absurdity are inseparable.We indeed use our future to escape our present. We live in those moments where we find peace; it can be in the form of living the memories or dreaming about the future. So one needs a standpoint about where one&rsquo;s existence is heading, and that abstract, hopeful idea can inspire us. So if we continue to strive for meaning that we find sustainable despite the realization that we shall cease to exist in the end, we are no less than gods, for we are truly conscious of our fate and our existence.&nbsp;Thus, happiness is an illusion. We constantly misinterpret the root essence of happiness, and it isn&rsquo;t something to be locked inside a vault or something which will stay with us forever. We cannot pursue happiness, and the more we seek it, the more it feels like sand in our palms. On the other hand, we must commit to a cause that we find meaningful and sustain ourselves and others around us. Use the absurdity of your existence to honor your sufferings and embrace the existential dread which arises in the form of existential agony. We are the modern Sisyphus.&nbsp;

The Illusion of Happiness

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.038609244985196911630871191338%2FThe%20Distance%20Embracing%20Model%20Of%20Art_2.webp?alt=media&token=85b20cb9-8d38-4ad6-afbb-327842803a74" alt="File preview" width="700" height="466" />Human beings have an inborn desire to express themselves. We as a species are curious, and one way to expand our need for curiosity is through the arts. Art reinforces our imagination and creativity. It enables us to dive deeper into the human consciousness. Art acts as a medium to express our desires and conflicts with a sense of wonder and fascination. It is a mechanism to negotiate with reality. An artist picks up a brush to make peace with their past and hope for a better future.Art makes our reality less ugly, for the colors fill our hearts and mind with a temporary sense of awe. Art keeps us afloat and acts as an emotional compass. Artworks serve as pieces of the puzzle for human existence.&nbsp;Art is a beautiful way of documenting reality, paired with creativity. Through art, we can travel through time and better understand the complexity of our past. Art creates a space where we can communicate with the artist, the creator, through expressions, in any form.&nbsp;Negative emotions are an essential resource for the arts. Negative emotions bring about intense involvement, high memorability and are influential in gripping our attention. Thus, they hold a special place in the memory of events in our life. A fine piece of art attempts to achieve the given characteristics. Thus, art that leads to negative emotions etches a saga in our memory.&nbsp;<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.038609244985196911630871191338%2FThe%20Distance%20Embracing%20Model%20Of%20Art_1.webp?alt=media&token=659d27f1-b221-4763-858d-1691751f8957" alt="File preview" width="700" height="466" />The theory of tragedy proposed by Aristotle states that the main aim of tragedy is to bring about a catharsis of spectators &mdash; to give rise to emotions of pity, fear, and hope. So that the spectators leave the theatre feeling cleansed and uplifted. Art is therapeutic. However, the theory of tragedy sounds like a profound contradiction because we want to be happy, right? We seek happiness in art. So why do art forms which lead to negative emotions move us? Since Greek and Latin antiquity, treatises on rhetoric and poetics widely assume that artworks compete for attention, intense emotional involvement, and high memorability (Lausberg 1998; Quintilian 1920). Recent psychological research has provided evidence that many negative emotions have a powerful grip on attention, are intensely felt, are less prone to fade or return to baseline level than positive emotions, and often have access to privileged storage in memory (Cacioppo &amp; Gardner 1999; Frijda 1988; Larsen &amp; Prizmic 2008; Musch &amp; Klauer 2003; Rozin &amp; Royzman 2001; Vaish et al. 2008). The formula "bad is stronger than good" (Baumeister et al. 2001) provocatively summarizes this line of research.&nbsp;The psychologist Winfried Menninghuas has offered the 'distance - embracing' model to explain why we love and appreciate art that brings about negative feelings. Art invites us to embrace our negative emotions. Through art, we learn to sit with the uncomfortable feelings which were unexpressed. Art unearths the feelings that reside in the hidden corners of our minds. Research into different types of pleasure has shown that intellectual and emotional pleasures (including those of art reception) routinely "encompass negative emotions like sadness &hellip; and positive emotions that entail complex appraisal" (Dub&eacute;&amp;LeBel2003,p.291; see also Berenbaum 2002). In contrast, physical pleasures tend to be least affected by concomitant negative emotions (Dub&eacute; &amp; Le Bel 2003).&nbsp;However, when we experience negative emotions while seeing any art form, we distance ourselves from these negative emotions and control them. Thus, through this process, we better understand ourselves and our unexpressed hidden self. Importantly, recent research has shown that chills and goosebumps in art contexts are physiological correlates of states of being emotionally moved (Benedek &amp; Kaernbach 2011; Wassiliwizky et al. 2015).Therefore, we can conclude that art is a way of stumbling on a truth. The fact that life consists of ingrained suffering. Yet, art preserves the pieces of humanity by acting as a mirror for humans. We resort to the idea of art when we experience sorrow. No matter how broken one is, art can mend and comfort even the torn souls.Art is mood, an emotion, a behavior because, through art, one discovers a medium of expression. It helps us connect with our deeper self and realize that true beauty exists in tragedy. Humans are an elegant tragedy, and art molds us into beings of higher consciousness.&nbsp;&nbsp;

The Distance Embracing Model Of Art

<img alt=""src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.074824149842566581638887435966%2Fimage1.webp?alt=media&token=201d9b90-989d-4d77-b83e-475416b66f0b">Privacy is a misconstrued concept. It is often confused with disguising information.News seekers and agenda makers always try to dig out information even when it needs to be safeguarded and kept unexposed. Sensitive data should be handled with caution and should not become a dinner table conversation.The media prevalent in the world today is doing more than just its only job, informing. It has opinions, digs out sensitive information, and invades privacy.A camera, the strongest tool at a media person’s disposal, is used as a means to justify their constant unethical and irrelevant interference in someone's life.There are countless incidents of media persons, especially in the paparazzi and tabloid culture, going out of their way to click photographs of events and persons.To get coverage, they miserably fail to respect the line drawn and identify the incident as news as per their convenience. These practices are loathed by those getting photographed.  It is one thing to generate content to inform, and a completely different thing doing it for mere sensationalism and garnering attention. This practice needs to be addressed not just by the people directly on its radar but also by those consuming that brand of content; the audience.Many celebrities have come out and spoken about how disturbing yellow journalism can be. The content is driven by what seems engaging enough to give it a read or a click. It doesn’t require much credibility, quality and accuracy.What is Yellow Journalism?Yellow journalism refers to the act of milking a story or news incident for sensational content to attract consumers.In this practice, the main focus of the newsmaker shifts from identifying and disseminating newsworthy content to sensationalized media and exaggerated headlines.Yellow journalism is mostly practised in tabloid culture and Page 3 content.Is it okay to step into boundaries in lieu of reporting using a camera?Tabloid culture becomes unhealthy and toxic when it starts to interfere with the daily functioning of the people it covers. These visuals often start butchering personal spaces, even in times of crisis. Of late, paparazzi have been known to be highly insensitive towards those in distress.Lately, the media has also been known for bombarding people with cameras to get clear shots and high definition pictures. None of them qualifies for reporting the incident. Disturbing video content has surfaced where the celebrities and kin were photographed, filmed and even interviewed by the news seekers in rather unfortunate times.It is not relevant at all. Nobody deserves this type of interference in their lives, irrespective of their popularity status.The Instances There have been incidents where paparazzi have faced backlash and were held answerable for their behavior and violation of civic decency.Case in point, when Princess Diana took Harry and William on holiday to Austria. She wanted a quiet family skiing holiday and didn’t even want any bodyguards. Diana wished to be free from the constraints associated with the British Royal System, including the press. Diana frequently took control of the press relations herself. She came out of lunch, walked up to the camera persons and said that the lenses are very daunting to her children and can they please respect her children’s space and leave them alone.We see paparazzi intrusion in the lives of famous people every day. The situation seems even worse here. With a large number of people that are low on jobs but loaded with cheap internet access, the fascination of getting a glimpse into a celebrity’s life is much higher. Be it the hysterical obsession of clicking a celebrity child’s photographs or the agonizing video coverage of a celebrity’s personal life.<img alt=""src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.074824149842566581638887435966%2Fimage2.webp?alt=media&token=411a4e1b-5945-4aa6-b14c-323ce7cff156">Why should this bother you, even when you are not in the public eye?  Being an ordinary person, you might never face such a situation and thus, not understand its repercussions. But you do understand privacy. It is a fundamental right that is also innate in humans.The invasion of personal space causes a normal human mind to get perturbed by insensitive media trespassing. It is the psychology of the human mind that makes us empathize with the person. These acts have the power to weaken an individual’s belief in the companionship that society has to offer.The whole narrative of incident reporting rests upon the curiosity of the news seekers and serving the facts with opinions, viewpoints and selective perception. We, as the audience, do not generally get to witness the source of every incident or news. Thus the media that emerges from the place of the incident becomes our source.The media’s job is to decide what is newsworthy and what is not before generating audio-visual content about it. It's their responsibility to generate and circulate actual news and facts and not use the incident to attract consumption.Your share in easing the situationStating the problem is just the first step of solving it. The practice of digging out sensitive information about someone in the name of news coverage is also fuelled profusely by the audience’s curiosity. We are that audience.The only way such practices can be stopped is if we as the audience stop pedestalizing famous people and stop keep a keen eye on their personal lives.What we can do is merely overlook the everyday routine of the rich and famous and try to focus on their work to reach where they are, if we want to take an interest at all.Have you ever pondered the implications of such treatment on the human mind?

The Duty of Understanding Right to Privacy

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.067500485203443981630900523657%2FVirtue%20ethics%2CUtilitarianism%20and%20Deontology_1.webp?alt=media&token=e33a80b9-8b93-47b4-aeab-48fcb9e30288" alt="File preview" width="740" height="493" /> Morality is a term coined to separate the good or bad thoughts, the right and wrong actions. Morality is subjective; many great philosophers like Aristotle, Plato, and Kant have given us their approach.&nbsp; To understand the basics of morality, let us take an example, you find a 20 dollar note on the floor, the exact amount required for you to buy that pretty new top you saw yesterday. Here, morality will guide you to ask the people around if they lost a twenty, and if nobody claims it, you give it to the police. Even if it is just a twenty note, it is immoral to keep it with you and spend it. The three main approaches to morality are Virtue ethics, Utilitarianism and Deontology.&nbsp; 1.VIRTUE ETHICS: Virtue ethics theory was given to us by Aristotle. It emphasizes virtues and moral character. It says happiness is our highest goal, and it is achievable by cultivating moral virtues. Once we have developed moral integrity, they can be employed automatically. Let us get a deeper understanding by taking an example: You visit your friend's house for dinner, she has recently learnt how to cook, and wants your opinion. Upon taking the first bite, you feel like the flavour is very off; it is bitter and salty. She is looking at you with excitement, waiting for an opinion. You are in a dilemma; being a good friend, you believe if you are honest, she can work harder and improve, but it might end up hurting her feelings. If you lie, she will be happy, and it might make her day. After contemplating the consequences, you decide to be honest with her. You chose honesty; you took a moral decision. As per virtue ethics, it soon becomes a personality trait if you decide to be honest at times.&nbsp; Virtue ethics can also be summed up as "fake it till you make it." 2.DEONTOLOGY: "An action, to have moral worth, must be done from duty."- Immanuel Kant. Immanuel Kant is one of the most famous philosophers associated with this approach. In Deontology, one is given a set of duties based on what their intuition believes is right and wrong, and one obeys them. Deontology eradicates subjectivity by focusing only on following the duties and not weighing the consequences of one's action. For example, you are a software engineer, and only you know how to hack into the system to stop the missile launch. Hacking is unethical; even if it might save thousands of lives, Deontology will prevent you from hacking. As previously stated, it does not weigh the consequences of the action and only focuses on following the suitable duties. 3.UTILITARIANISM: In Deontology, we studied that we need to obey the duties irrespective of the consequences; however, in utilitarianism, it is otherwise. It believes in taking the action that has the outcome benefiting the majority. It is a species of consequentialism; It evaluates the activity on the possibility of its consequence. In utilitarianism, happiness or pleasure are the only things that have intrinsic value. Continuing the example from Deontology, if we apply the utilitarian approach to the situation, it would suggest that since the one immoral activity will allow thousands of lives to be happy, the software engineer should go ahead.&nbsp; However, the only limitation here is that we cannot always be accurate on the possible outcome. The engineer might hack into the system successfully but fails to prevent the missile launch.&nbsp;So which school of thought do you think we should live by?&nbsp; Share your thoughts in the comments.

Virtue Ethics, Deontology and Utilitarianism

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0202072586930484021635362946595%2Fimage1.webp?alt=media&token=754af849-7759-4104-ad5a-eb79787e56b8" alt="File preview" width="500" /> In the final article in this 3 part series, we will discuss whether or not society really needs morals in order to function, as well as the principles of justice and equality when making moral considerations. <h3> Do We Really Need a Defined Set of Morals for Society to Function? </h3> No ethical or moral system is likely to be perfect in all cases. There are simply too many different possible scenarios along with their variables that can arise for any single value system to provide perfect solutions all of the time. If a set of moral principles is too vague, then the answers it offers become unclear. But if an ethical system becomes too precisely delineated, everyone becomes weighed down with expansive legalism that is difficult to follow. Human beings are social animals by nature, and there are currently 7.8 billion of us living together. Suppose certain classes of people acted only as ends unto themselves, such as the higher human beings that Nietzsche refers to. How would we collectively begin to achieve any sort of overall harmony of value judgments? How would this affect how we treat each other? For instance, would it be permissible for a &lsquo;higher man&rsquo; to treat other persons from the herd however they pleased - since their moral judgments are far beyond what lesser individuals can comprehend? Any student of 20th-century history quickly realizes how problematic and dangerous such ideas have the potential to become. Or are there universal moral principles that supersede the individual&rsquo;s will? While adhering to an established system of morals might diminish the individual&#39;s autonomous range, perhaps a different sort of freedom might arise. Would it be possible to free the self in service of a greater good instead of being slaves to our impulses or cyclically pursuing our own ends? Additionally, while the idea of great men creating their own values and pushing the envelope of morality sounds good in theory, how would it work relative to history? Since little is truly new under the sun, and everything that exists now has essentially come before in some form or another, how would someone trying to create their own values manage to do anything truly unique? Somewhere, sometime, someone on this planet has likely been confronted with a similar moral choice that mirrors almost any that we could face. And since the energy of life on this earth remains interconnected as it moves through time, it would seem that we are simply playing a temporary role in continuing a much larger cycle of cause and effect. Learning from life often involves making mistakes and trying not to repeat them. This process continues the cycle of growth that leads us away from stagnation or decay. To see clearly and learn from the mistakes of others without suffering the same fate is wisdom. Perhaps the moral insights that will become most valuable to us are those that we discover both from the real pain of our mistakes along with looking to the cumulative wisdom of others. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0202072586930484021635362946595%2Fimage3.webp?alt=media&token=093e5089-0370-4744-b7c9-10e334f29d6f" alt="File preview" width="700" height="466" /> <h3> The Moral Issues of Equality and Justice </h3> Finally, perhaps by considering the relationship of morality to other integral principles, we can better balance personal freedom and social responsibilities. One of the foundational principles of ethics is that of equality in regards to justice. Because while all human beings may not be physically, intellectually, socially, or financially equal, all are endowed with a basic set of rights. All are equally deserving of moral consideration. If you remove this fundamental principle from any ethical equation, it will likely result in some form of inequality and exploitation of a person (or group) by another. And a moral system based on exploitation isn&rsquo;t much of a moral system at all. <ul> <li> Any system that allows certain individuals the absolute freedom to ignore the rights of the larger, collective group or target the rights of other individuals is explicitly not ethical. </li> <li> But the systemic process of allowing groups in power to overreach and interfere with certain innate personal freedoms of individuals (thereby limiting their potential) is also harmful and unethical. </li> </ul> Is there some system that might better balance the rights of various individuals from all groups? &nbsp;No system will be perfect for all members since there are so many diverse situations and characteristics. But using universal principles of some kind to formulate a baseline of ethical standards applicable to all must occur to ensure fundamental rights. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0202072586930484021635362946595%2Fimage2.webp?alt=media&token=645165b3-3f48-4c44-a0ff-d44e6ebf4138" alt="File preview" width="700" height="466" /> <h3>Article Summary:</h3> <ul> <li> If we fail to thoroughly examine the validity of our most deeply held values, to recognize where they come from and why they are important, they become hollow and meaningless over time. When values lose their integrity, it leads to blind obedience, unquestioning conformity, and moral stagnation. </li> <li> However, suppose we set ourselves adrift in a sea of moral relativism or begin to say that there are no universal moral truths that are greater than our own free will. In that case, we risk becoming lost in ourselves and falling prey to our biases and desires. We risk creating a hell on earth while trying to fashion a paradise of our own design. </li> </ul>

Part 3 of 3: The Development of Morality - Nietzsche vs Kohlberg

<img alt="" src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.157900990944576771635808995425%2Fimage1.webp?alt=media&token=dcb24d54-1974-4de3-98ce-b12e08d40c01" > The imperfect is our paradise, Wallace Stevens wrote. However, it isn&#39;t just our paradise; it is also our world. Human beings are innately curious. We as a species make extensive efforts to know more about ourselves and the world around us. The organ between our ears helps us make sense of subtle patterns in the randomness of life. The brain is where we live. The evolution of the human brain paved the way for the emergence of several mechanisms to deal with our imperfect world. Language, stories, literature, and poetry; however, the most excellent method acquired by humans to deal with the reality of this world is art. It plays a pivotal role in the psychological development of human beings. It helps us celebrate life. Sigmund Freud, the father of psychoanalysis, proposed that the human mind consists of three aspects. The Conscious, the Subconscious, and the Unconscious. The Conscious&nbsp;helps us become aware of ourselves and our surrounding environment. The Subconscious consists of memories that one can quickly bring into awareness. Finally, the Unconscious consists of repressed desires and conflicts during childhood. One cannot easily retrieve the memories of the unconscious mind. Moreover, the unconscious mind expresses itself in symbolic forms. The main ways are through dreams, a slip of the tongue (Freudian slip), and free association. Therefore, dreams can act as the door to the unconscious. Freud stated that there are two components of a dream. The latent content and the manifest content. The manifest content is actual and the apparent content of a dream. Meanwhile, the latent content is the hidden meaning of a dream. Jung, however, portrayed a different picture about dreams. According to Jung, dreams were the psyche&#39;s effort to represent significant aspects of one&#39;s life. Dreams are a compass for the mind. Dreams help the individual to attain a sense of individuality. When a person individuates, they better understand that their sense of self is separate from their parents and other significant people who help them develop their conscience during their growing years. There exists a peculiar relationship between the unconscious, dreams, and art. Surrealism is an artistic and literary movement that began in Europe in the early 1920s. It features fantastic, whimsical, and dreamlike images that express an alternate reality, which the members of this movement refer to as &ldquo;surreality&rdquo; (Breton 1972). Surrealists employ a variety of techniques derived from psychology and alchemy, as well as from previous artistic movements, to induce the inspiration necessary to experience and express this &ldquo;surreality.&rdquo; Surrealism is not merely a creative movement but is also a way of life with strong philosophical underpinnings. The Surrealists&rsquo; project bridges the gap between ordinary wake-state consciousness and those more unconscious processes associated with dreams, imagination, illusion, and madness (Colville 1991). Breton further states the idea of Surrealism aims at the total recovery of our psychic force by nothing other than the dizzying descent into ourselves. The systematic illumination of hidden places and the darkening of other places, the never ending shift into the midst of forbidden territory (Breton 1972). Artists associated with this movement are Man Ray, Rene&acute; Magritte, Salvador Dal&#305;&acute;, Andre&acute; Breton, Max Ernst, Giorgio de Chirico, Leonora Carrington, Remedios Varo, and Yves Tanguy, among others (Alexandrian 1985; Waldberg 1971). One of the techniques employed by Surrealists was automatism, a technique inspired by spiritualism in which the artist places him-or herself in a passive, receptive state, forgets about the usual parameters of one&rsquo;s creative or artistic abilities, and writes or paints quickly without any preconceived subject in mind (Breton 1972). Art rebalances our psyche. It is a universal mental concept that is present in all the members of the human species. An angry individual can find peace in art, while an overly optimistic individual can learn to be somewhat reasonable by understanding the grim aspects of life through art. The hopeless stumble on hope, and the lonely find solace in art Therefore, to conclude, art enables us to delve deeper into our psyche. Art permeates our reality and helps us to express ourselves unconditionally. Art enables us to appreciate our suffering. Art redirects our attention to the more critical aspects of our life. Without art, life would be a tragedy. Thus, art transforms tragedy into beauty. Reference: Moore, C. (2014). Surrealism, Religion and Psychology. Encyclopedia of Psychology and Religion .

Art: A Doorway Into The Unconscious 

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839574068561628682884185%2FThe%20History%20of%20Art_1.webp?alt=media&token=492fd2a3-6df3-4bc5-850d-ba4b2dcfe727" alt="File preview" width="741" height="493" /> There have been times where words were not sufficient to convey a message; in such a situation, one sought help from art. Art is a constant, a means of communication for humans from the stone age to the twenty-first century. Art, along with humankind, has significantly evolved.&nbsp; We can broadly classify the different phases of evolution in the art world in eight periods: 1.STONE AGE ART(30,000 BCE- 3,000 BCE): The earliest art belongs to the stone age period. As the name suggests, stones were prominent. Petroglyphs, carving on hard protected surfaces like cave walls, were the most common. People refer to the period as prehistoric art as it existed before recorded history.&nbsp; We further divide the stone age into three periods; with development in tools observed over time: <ul> <li style="font-weight: 400;">Paleolithic period (30,000 BCE-10,000 BCE)</li> </ul> &nbsp;The term palaeolithic means old stone age. The artworks of this phase mainly consist of small sculptures, carvings on walls and paintings. In this period, people put stone tools to use for something other than survival for the first time. The structures were mainly figurines of animals, small but realistic.&nbsp; The primary materials used were ivory, bone, stone, and clay&mdash;Bhimbetka Petroglyphs, the oldest known prehistoric art discovered in India's quartzite caves.&nbsp; <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839574068561628682884185%2FThe%20History%20of%20Art_2.webp?alt=media&token=28fd4ef4-f17d-4aed-9f73-9bc51049b768" alt="File preview" width="740" height="555" /> Bhimbetka Petroglyphs&nbsp;&nbsp; <ul> <li style="font-weight: 400;">Mesolithic period (10,000 BCE- 3,000 BCE)</li> </ul> &nbsp;This period marked the end of the ice age and a switch to more temperate conditions. Due to this change, the humans had to adapt to a new type of living, leaving behind their caves. They switched to more settled agricultural communities. The art now provided keener details and better narration. Ceramics also started gaining popularity in this period. The most intriguing artwork of this time consists of rock art, similar to the palaeolithic period on vertical cliffs or natural rocks. <ul> <li style="font-weight: 400;">Neolithic period (8,000 BCE- 3,000 BCE)</li> </ul> &nbsp;In this era, weaving and pottery became prominent as civilization settled and people shifted from nomadic to permanent settlements. The most exciting creations from this time were the architecture that featured large stone structures called the megaliths. This period, however, mainly focused on pottery, the majority found in the region of Mesopotamia.&nbsp; 2.BRONZE AGE ART (3,000 BCE-1,100 BCE)&nbsp; This period highlights the production of bronze, an alloy of copper and tin. With advancements in the production of metalwork, there was a rise in skilled workers. The use of stone became less popular. The art world saw some agile development as metals were more flexible, the sculptures and artefacts made were more detailed and charming. People observed the earliest art in the Mesopotamia region, Sumerian art. Writing first began in Mesopotamia as the nation greatly prospered, and people started focusing on art, literature, culture and religion. Egyptian art also rose in the form of monumental architecture. Lost wax casting was one of the most common ways used for making sculptures out of bronze. The oldest cast bronze sculpture is the 'DANCING GIRL' in Mohenjo Daro. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839574068561628682884185%2FThe%20History%20of%20Art_3.webp?alt=media&token=73ec9296-48f2-4e19-9ecc-28561fbcbf7a" alt="File preview" width="400" height="776" /> The Dancing girl in Mohenjo Daro 3.IRON AGE ART (1,100 BCE-200 BCE) As the name suggests, the use of iron became more prominent in this period. It was the last phase of the prehistory period. It was more economical to mine iron than bronze, and it was more substantial, making it extremely popular and abundantly available. In this reign, greek art gained attention in the Mediterranean basin. However, near the end of the iron age, greek art started declining, and Persian and Egyptian art became more dominating. 4.MEDIEVAL ART (5th- 15th century) Medieval art was produced in Europe during the middle ages; it includes sculptures, paintings, illuminated manuscripts, mosaics, and metalwork.&nbsp; Based on time, we can classify medieval art into: <ul> <li style="font-weight: 400;">The Romanesque (11th-12th century)&nbsp;</li> </ul> Its name comes from the fact that its primary basis is on early Christian art in Rome. The architecture built in this reign, mainly churches, monasteries and temples, symbolized the growing wealth in Europe and the power of church monasteries. The characteristics of these buildings are thick stone walls, semi-circular arches with durable construction. Sculptures were also famous; made out of stone, based on the iconography of the bible. Thousands of artisans from Rome and Greek created an eastern, Christian image known as byzantine art. Other types of popular art include illuminated manuscripts and stained glass.&nbsp; <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839574068561628682884185%2FThe%20History%20of%20Art_4.webp?alt=media&token=21720770-9d02-4897-a52c-fd2ce753cc65" alt="File preview" width="400" height="515" /> Chriatian Byzantine Art <ul> <li style="font-weight: 400;">The Gothic (12th-15th century)&nbsp;</li> </ul> It derives its name from the Goths that ruled France. The gothic architecture offered revolutionary structural advancements such as flying buttresses, ribbed vaults(formed by two arches across diagonally) and decorative pinnacles, contributing to taller and lighter buildings. Sculptures in the gothic period were more realistic images; they characterized angels, saints and biblical figures.&nbsp; Paintings also became more lifelike, and with the gradual development in Europe, artists soon started taking an interest in non-religious subjects.&nbsp; 5.THE RENAISSANCE (14th-16th century) The renaissance dominated Italy and the majority of Europe; the people in this reign made their appearance different from that of the medieval period. There was a great revival of learning of ancient Greece and Rome. The artist started rejecting the byzantine form of art and preferred a more realistic depiction of humans and space. The art from this time also represented other aspects, such as mythology. Some of the most famous masters of this time are Leonardo da Vinci, Michelangelo and Raphael.&nbsp; 6.THE POST-RENAISSANCE (16th-18th century)&nbsp; This reign was followed by: <ul> <li style="font-weight: 400;">Mannerism (16th century)&nbsp;</li> </ul> Mannerism, opposed to naturalism in art, was notable for its artificiality. The mannerist artist took paintings established during the renaissance and added a twist by exaggerating them, giving them an extravagant aesthetic to classicism. <ul> <li style="font-weight: 400;">Baroque (17th-18th century)&nbsp;&nbsp;</li> </ul> The main principles of art in this reign was extravagance, ornateness and decorated details. The link between the catholic church and this art form was inseparable.&nbsp; <ul> <li style="font-weight: 400;">Rococo (mid 17th-18th century)&nbsp;</li> </ul> Rococo, unlike Baroque, emphasized opulence, gratefulness and lightness. It emerged in France. Unlike another art form, it depicted light-hearted romance and carefree aristocratic life.&nbsp; 7.MODERN ART (18th-19th century) The Industrial Revolution led to the birth of modern art. In previous art forms, the art depicted religion and mythology. However, in the 19th-century, artists created art based on their personal experience and their chosen topics. The art produced in this reign showcased the artists' interest in re-imagining, interpreting and rejecting previous art styles.&nbsp; Some famous artworks are Les Demoiselles d'Avignon by Pablo Picasso, The Large Bathers by Paul C&eacute;zanne and Impression, Sunrise by Claude Monet.&nbsp; The different types of modern art are:&nbsp; <ul> <li style="font-weight: 400;">Impressionism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Post Impressionism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Fauvism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Expressionism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Cubism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Surrealism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Abstract Expressionism&nbsp;</li> </ul> &nbsp;8.CONTEMPORARY ART (21st century) Contemporary art means art; painting, sculpture, photography, video art, installation and production are performed today. It allows the artist to reflect upon the social issues related to humanity in today's world. High-end technology and cultural diversity globally surrounds artists in today's time. This form of art stands out because of its lack of organization, uniformity and ideology.&nbsp; The different types of contemporary art are: <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839574068561628682884185%2FThe%20History%20of%20Art_5.webp?alt=media&token=460edc0d-69c6-4de1-a10a-74c749f22f79" alt="File preview" width="740" height="555" /> <ul> <li style="font-weight: 400;">Pop art&nbsp;&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Photorealism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Conceptualism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Minimalism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Performance art&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Installation art&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Earth art&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Street art&nbsp;</li> </ul>

The History of Art

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.10951663473921981628072883027%2FMEDIA%20AND%20LOVE_AanviJain_1.webp?alt=media&token=5dc42055-2f14-400a-b2aa-cde4c8b21b38" alt="" width="764" height="573" /> Love is an abstract concept, a complicated emotion. The greatest men of all time couldn't answer what love is. Many tried to give us a definition, but many believe it's beyond our understanding.&nbsp; So how much does the media know? Media made all of us believe that a perfect person is waiting for us. Someone whom the day we meet, our lives will be complete&mdash;a person who answers all our problems All the hope they have given us without any solid proof. Can our life also be a fairy tale like Cinderella with our soulmates going around the globe looking for us? The honest answer to this is a bummer for all; not all love stories are like Cinderella. While growing up, we saw perfect couples with romantic bickering. Many filmmakers and authors tried to capture the true essence of love by providing us with pieces such as The Notebook or Fault in our stars. Such creations did give us a desire for a dreamy love story and the perfect relationship but what it did not show us is that no relationship is perfect. Love is not as simple; it takes more than the presence of two individuals attracted to each other. It includes trust, selflessness, compromises from both ends.&nbsp; The best graphics we see on searching about love are people smiling with red hearts all around them. But as it is rightly said, all glitters are not gold. People can be in love and yet fight; they are not always happy with each other. There are disputes and conflicts.&nbsp; Another aspect of love we see in the media are couples celebrating their love by giving thoughtful gifts, going out for romantic dinners, and always spending time with each other. But in reality, that is not the case. Two individuals might not make romantic gestures regularly, but that doesn't change the fact that they love each other. They can still be as happy as other couples. The media cannot filter the toxic relationships, they have failed to highlight this issue, and those suffering are afraid to speak up. Love can make a person blind to the damage they are causing to their partner. It is a must to make everyone aware of the red flags to prevent them from the worst. Similarly, even abusive relationships are a subject of great importance. Not everyone is happy; some are hurting mentally or physically. Media is an integral part of our lives; it greatly influences our beliefs. But what we see there is not always true. Love is not all rainbows and glitters; it's not all smiles. The media only shows what they think the people like to see, and not what's true. Hence, we shouldn't be quickly captivated by everything they show us. What has been your experience with love?

Media and Love

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.069722072775078691635260788558%2Fimage1.webp?alt=media&token=1ba4366e-2b0d-4bf4-8b09-4cd52786240a" alt="File preview" width="700" height="466" /> Setting the Scene: Lawrence Kohlberg (1927-1987) was an American Psychologist who studied how people solved moral dilemmas. Kohlberg’s work often involved posing various moral questions to his research subjects. A famous example would be the ‘Heinz dilemma.’ It was a hypothetical question regarding a man who had the chance to steal life-saving drugs for his very sick wife and why he might decide to choose a specific course of action over another. To correctly classify these responses, Kohlberg proposed a basic construct for categorizing them that correspond to different moral developmental reasoning stages. Over the years, there has been some criticism of its limitations and legitimate questions about its scope and accuracy. However, it gives us an excellent starting point to begin our discussion on the topic of morality. <table style="width: 468pt; border-collapse: collapse; margin-left: 5pt"> <tr style="height: 27.25pt"> <td colspan="3" style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 2.25pt; padding-left: 5pt; padding-right: 5pt; padding-top: 5pt; padding-bottom: 3.88pt; vertical-align: bottom; " > The 6 Stages/Levels of Moral Development according to Kohlberg </td> </tr> <tr style="height: 21.25pt"></tr> <tr style="height: 25.75pt"> <td rowspan="2" style=" border-top-color: #000000; border-top-style: solid; border-top-width: 1pt; border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; padding: 5pt; width: fit-content !important; " > Preconventional Morality </td> <td style=" border-top-color: #000000; border-top-style: solid; border-top-width: 1pt; border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 1 </td> <td style=" border-top-color: #000000; border-top-style: solid; border-top-width: 1pt; border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Punishment and Obedience - Follow the rules to avoid punishment </td> </tr> <tr style="height: 27.25pt"> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 2 </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Self Interest - How does complying with the rules benefit me? </td> </tr> <tr style="height: 25.75pt"> <td rowspan="2" style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; padding: 5pt; width: fit-content !important; " > Conventional Morality </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 3 </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Social Norms - Conforming to others expectations of goodness </td> </tr> <tr style="height: 27.25pt"> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 4 </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Law and Order - Submission to authority because it’s the law </td> </tr> <tr style="height: 25.75pt"> <td rowspan="3" style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; padding-left: 4.5pt; padding-right: 5pt; padding-top: 5pt; padding-bottom: 4.5pt; padding: 5pt; width: fit-content !important; " > Postconventional Morality </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 5 </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Social Contract - Do it for the greater common good </td> </tr> <tr style="height: 25.75pt"> <td rowspan="2" style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 6 </td> <td rowspan="2" style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Universal Ethical Principles - moral code based on universal values greater than oneself takes precedence over lesser laws and social mores </td> </tr> <tr style="height: 35.5pt"></tr> </table> <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.069722072775078691635260788558%2Fimage2.webp?alt=media&token=695eccc0-e08e-46c2-ba09-93c68f708d51" alt="File preview" width="700" height="466" /> Friedrich Nietzsche (1844-1900) was a German Philosopher and writer who often considered moral and ethical issues related to the concepts of personal identity and freedom. Nietzsche was a writer of great cleverness and wit. His work is still widely read and quoted to this day, and his ideas helped form the basis of many important discussions on cultural issues during the 20th century. Nietzsche’s writings often focused on the restrictive nature of morality used as a form of groupthink by the masses to suppress the creativity and originality of truly great individuals. Here are some of Nietzsche’s quotes regarding morality: “Morality is just a fiction used by the herd of inferior human beings to hold back the few superior men.” “Let us not underestimate this: we ourselves, we free spirits, are nothing less than a “revaluation of all values,” an incarnate declaration of war and triumph over all the ancient conceptions of “true” and “untrue.”” – The Antichrist “One becomes moral – not because one is moral. Submission to morality can be slavish or vain or selfish or resigned or obtusely enthusiastic or thoughtless or an act of desperation, like submission to a prince: in itself it is nothing moral.” – The Dawn “Convictions are more dangerous enemies of the truth than lies.” – Human, All Too Human For believe me! — the secret for harvesting from existence the greatest fruitfulness and the greatest enjoyment is: to live dangerously! – The Gay Science While every noble morality develops from a triumphant affirmation of itself, slave morality from the outset says No to what is "outside," what is "different," what is "not itself"; and this No is its creative deed. – Genealogy of Morals The Presence of Conflicting Values: Moral debates often arise when conflicting values or goods are considered, and when we must make a choice between them. Moral debates can center around specific issues or concrete examples of conflict that exist in real life. Or, they can also center around broader or more abstract forms of reasoning in hypothetical scenarios. People debating a particular issue can come into conflict because one person is arguing about a single case based on its own specific merits. Another person may be extrapolating from the same data to formulate answers relevant to broader hypothetical situations. The debaters need to recognize the scope of their arguments to compare their conclusions effectively. In this article, we will be dealing with general ideas about morality rather than venturing into a discussion of specific cases. Here are two questions to consider before reading further: · How do we balance a sense of personal freedom and autonomy along with social responsibility and the universal principles of moral integrity? · And are there universal principles of morality that are truly greater than the individual? Or is the greatness of man the measure of all things? In Part 2 of this article, we will begin to compare and contrast some of the ideas of Nietzsche and Kohlberg. There will also be a series of questions for the reader to consider regarding this. Finally, in Part 3 of this article, we will consider the role of morality in building a functional society and how it all ties into the principles of equality and justice.

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