<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.85930122539580591638794813595%2Fimage1.webp?alt=media&token=25aedc9b-6f84-45e3-95b9-2c8588e7c44d" alt="File preview" width="700" height="466" /> What is common between every human that has ever lived and those yet to come? Faith, consciousness, or even religion? But the first two we cannot prove, and religion brings people together as much as it pushes them apart. Okay, let me put it this way: What is the one trait turned commodity ingrained in all of us? Trade and commerce. And these gave birth to what we today recognize and love as Money. This article will explore the origins of money and what it means for you today. No matter where you are in this world today, people around you trade in some form of currency, maybe more than one of them at a time. Government-backed national currencies, digital wallet currencies or even crypto, if that is your thing. But where did it all come from, and why do we even need money in the first place? <h3>The History</h3> Suppose you are a wheat farmer from 5000 years ago. The predominant occupation was agriculture, but it was not as efficient as it is today. You specialise only in cultivating wheat. But it does not suffice, and you need vegetables to feed your family. So you go to the farmer next door who cultivates vegetables. You convince them to exchange one bag of your wheat for one bag of their vegetables. Simple. No money was involved. This is how civilisation traded for a long, long time. You know this as the Barter system. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.85930122539580591638794813595%2Fimage2.webp?alt=media&token=93a83d19-6335-4cdf-8944-27d8e8891f17" alt="File preview" width="700" height="466" /> Let&rsquo;s come back to the story. What if the farmer does not want wheat but wants rice instead? So you go to the next farmer who cultivates rice, exchange your wheat for their rice. You save some for your family and trade the rest of the rice for vegetables. Still not too difficult to follow. Right? But what happens if there are hundreds of people in your village doing thousands of such transactions a day. Now things start to get complicated. And this is only considering that the value of your wheat bag is equivalent to one pack of vegetables or one bag of rice. What if the rice farmer asks for two bags of wheat for one bag of rice? What if you cannot get anyone in your village to exchange your wheat for something else? This is where the barter system broke down. It was too complicated to keep track of, and people often found themselves at the short end of the stick. The villagers were getting tired of the fact that they had to make so many exchanges a day. So they sought out an alternative.&nbsp;(Be mindful, what plays out here in a few hundred words, took place over centuries. No one person got irritated one day and invented the idea of money the next. Onto the alternative now.) Metals like Gold and Silver started to come into play. People from around the world began discovering Gold and were immediately lured by its appeal. Through extensive trial and error, they came up with a system of exchange that all merchants and traders locally accepted. People started trading their goods and services for something with no inherent value, but they chose to place some value on it, Gold. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.85930122539580591638794813595%2Fimage3.webp?alt=media&token=df53059c-3eb7-430c-b027-fedef28e2508" alt="File preview" width="700" height="466" /> This was one of the oldest forms of money. People could exchange this shiny commodity for rice, vegetables, cotton, or anything else their family needs. Things seem to be getting comfortable. Now you want to buy some spices from the neighbouring village. You ask the merchant for a bag of spices and present them with a Gold coin. The merchant is confused. It turns out this village is trading in Silver, and you cannot exchange your Gold for spices. This is central to the understanding of money. &ldquo;Money is not the exchange of notes, coins, bonds or numbers on a screen.&rdquo; Instead, money is the exchange of mutual trust placed in these commodities. You value the Indian Rupee because everyone in India values the Indian Rupee, and the state validates it. Likewise with every other national currency. You trust that you can exchange your notes for goods and services anywhere in the country. Trust. That is the name of the game. When any new currency or form of exchange develops, it takes time for people to adopt it because they do not trust that they would be able to exchange this currency. Think Paytm (India). When Paytm launched its digital wallets and currency in India, people had a hard time accepting it. They were not sure that they could encash the balance in their wallets for tangible goods or services. But when people steadily started accepting payments through Paytm, the masses picked up on the convenience of one-click payments and Paytm took off. Money is more social and than financial. Psychology and philosophy drive how much importance we place on money. These factors cross all religious, social, political and geographical boundaries. &ldquo;Money is the most universal and most efficient system of mutual trust ever devised.&rdquo; - Yuval Noah Harari. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.85930122539580591638794813595%2Fimage4.webp?alt=media&token=f71ab56c-e8c6-4966-954a-69ea36f80b12" alt="File preview" width="700" height="466" /> <h3> Money, Trust and 2016 Demonetisation of India </h3> In India, people loved their old 500 and 1000 rupee notes. Some had stacks of them lying around houses and offices. There was a trust that when the need arose, people would encash this most liquid form of money for the goods, services, power, and prestige that people wanted. You trusted that you would get equivalent value for your money when you pay someone a 1000 rupee note. But one fine evening, the Govt. of India, invalidated the notes. Overnight the notes went from holding a value of 1000 Rupees to literally &quot;Paper-weight&quot;. Suddenly you could not exchange your old notes anywhere in the country. The trust in the note was lifted after the authorities did not back the money. This event gives us the understanding that money itself has no inherent value. It is a system of trust. Tomorrow if your e-wallet stops getting accepted anywhere in the market, your money is suddenly worthless. Money is a tool to quantify value. When the value is lost, money becomes worthless, literally.

The Psychology of Money: Where Did Money Come From?

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839574068561628682884185%2FThe%20History%20of%20Art_1.webp?alt=media&token=492fd2a3-6df3-4bc5-850d-ba4b2dcfe727" alt="File preview" width="741" height="493" /> There have been times where words were not sufficient to convey a message; in such a situation, one sought help from art. Art is a constant, a means of communication for humans from the stone age to the twenty-first century. Art, along with humankind, has significantly evolved.&nbsp; We can broadly classify the different phases of evolution in the art world in eight periods: 1.STONE AGE ART(30,000 BCE- 3,000 BCE): The earliest art belongs to the stone age period. As the name suggests, stones were prominent. Petroglyphs, carving on hard protected surfaces like cave walls, were the most common. People refer to the period as prehistoric art as it existed before recorded history.&nbsp; We further divide the stone age into three periods; with development in tools observed over time: <ul> <li style="font-weight: 400;">Paleolithic period (30,000 BCE-10,000 BCE)</li> </ul> &nbsp;The term palaeolithic means old stone age. The artworks of this phase mainly consist of small sculptures, carvings on walls and paintings. In this period, people put stone tools to use for something other than survival for the first time. The structures were mainly figurines of animals, small but realistic.&nbsp; The primary materials used were ivory, bone, stone, and clay&mdash;Bhimbetka Petroglyphs, the oldest known prehistoric art discovered in India's quartzite caves.&nbsp; <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839574068561628682884185%2FThe%20History%20of%20Art_2.webp?alt=media&token=28fd4ef4-f17d-4aed-9f73-9bc51049b768" alt="File preview" width="740" height="555" /> Bhimbetka Petroglyphs&nbsp;&nbsp; <ul> <li style="font-weight: 400;">Mesolithic period (10,000 BCE- 3,000 BCE)</li> </ul> &nbsp;This period marked the end of the ice age and a switch to more temperate conditions. Due to this change, the humans had to adapt to a new type of living, leaving behind their caves. They switched to more settled agricultural communities. The art now provided keener details and better narration. Ceramics also started gaining popularity in this period. The most intriguing artwork of this time consists of rock art, similar to the palaeolithic period on vertical cliffs or natural rocks. <ul> <li style="font-weight: 400;">Neolithic period (8,000 BCE- 3,000 BCE)</li> </ul> &nbsp;In this era, weaving and pottery became prominent as civilization settled and people shifted from nomadic to permanent settlements. The most exciting creations from this time were the architecture that featured large stone structures called the megaliths. This period, however, mainly focused on pottery, the majority found in the region of Mesopotamia.&nbsp; 2.BRONZE AGE ART (3,000 BCE-1,100 BCE)&nbsp; This period highlights the production of bronze, an alloy of copper and tin. With advancements in the production of metalwork, there was a rise in skilled workers. The use of stone became less popular. The art world saw some agile development as metals were more flexible, the sculptures and artefacts made were more detailed and charming. People observed the earliest art in the Mesopotamia region, Sumerian art. Writing first began in Mesopotamia as the nation greatly prospered, and people started focusing on art, literature, culture and religion. Egyptian art also rose in the form of monumental architecture. Lost wax casting was one of the most common ways used for making sculptures out of bronze. The oldest cast bronze sculpture is the 'DANCING GIRL' in Mohenjo Daro. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839574068561628682884185%2FThe%20History%20of%20Art_3.webp?alt=media&token=73ec9296-48f2-4e19-9ecc-28561fbcbf7a" alt="File preview" width="400" height="776" /> The Dancing girl in Mohenjo Daro 3.IRON AGE ART (1,100 BCE-200 BCE) As the name suggests, the use of iron became more prominent in this period. It was the last phase of the prehistory period. It was more economical to mine iron than bronze, and it was more substantial, making it extremely popular and abundantly available. In this reign, greek art gained attention in the Mediterranean basin. However, near the end of the iron age, greek art started declining, and Persian and Egyptian art became more dominating. 4.MEDIEVAL ART (5th- 15th century) Medieval art was produced in Europe during the middle ages; it includes sculptures, paintings, illuminated manuscripts, mosaics, and metalwork.&nbsp; Based on time, we can classify medieval art into: <ul> <li style="font-weight: 400;">The Romanesque (11th-12th century)&nbsp;</li> </ul> Its name comes from the fact that its primary basis is on early Christian art in Rome. The architecture built in this reign, mainly churches, monasteries and temples, symbolized the growing wealth in Europe and the power of church monasteries. The characteristics of these buildings are thick stone walls, semi-circular arches with durable construction. Sculptures were also famous; made out of stone, based on the iconography of the bible. Thousands of artisans from Rome and Greek created an eastern, Christian image known as byzantine art. Other types of popular art include illuminated manuscripts and stained glass.&nbsp; <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839574068561628682884185%2FThe%20History%20of%20Art_4.webp?alt=media&token=21720770-9d02-4897-a52c-fd2ce753cc65" alt="File preview" width="400" height="515" /> Chriatian Byzantine Art <ul> <li style="font-weight: 400;">The Gothic (12th-15th century)&nbsp;</li> </ul> It derives its name from the Goths that ruled France. The gothic architecture offered revolutionary structural advancements such as flying buttresses, ribbed vaults(formed by two arches across diagonally) and decorative pinnacles, contributing to taller and lighter buildings. Sculptures in the gothic period were more realistic images; they characterized angels, saints and biblical figures.&nbsp; Paintings also became more lifelike, and with the gradual development in Europe, artists soon started taking an interest in non-religious subjects.&nbsp; 5.THE RENAISSANCE (14th-16th century) The renaissance dominated Italy and the majority of Europe; the people in this reign made their appearance different from that of the medieval period. There was a great revival of learning of ancient Greece and Rome. The artist started rejecting the byzantine form of art and preferred a more realistic depiction of humans and space. The art from this time also represented other aspects, such as mythology. Some of the most famous masters of this time are Leonardo da Vinci, Michelangelo and Raphael.&nbsp; 6.THE POST-RENAISSANCE (16th-18th century)&nbsp; This reign was followed by: <ul> <li style="font-weight: 400;">Mannerism (16th century)&nbsp;</li> </ul> Mannerism, opposed to naturalism in art, was notable for its artificiality. The mannerist artist took paintings established during the renaissance and added a twist by exaggerating them, giving them an extravagant aesthetic to classicism. <ul> <li style="font-weight: 400;">Baroque (17th-18th century)&nbsp;&nbsp;</li> </ul> The main principles of art in this reign was extravagance, ornateness and decorated details. The link between the catholic church and this art form was inseparable.&nbsp; <ul> <li style="font-weight: 400;">Rococo (mid 17th-18th century)&nbsp;</li> </ul> Rococo, unlike Baroque, emphasized opulence, gratefulness and lightness. It emerged in France. Unlike another art form, it depicted light-hearted romance and carefree aristocratic life.&nbsp; 7.MODERN ART (18th-19th century) The Industrial Revolution led to the birth of modern art. In previous art forms, the art depicted religion and mythology. However, in the 19th-century, artists created art based on their personal experience and their chosen topics. The art produced in this reign showcased the artists' interest in re-imagining, interpreting and rejecting previous art styles.&nbsp; Some famous artworks are Les Demoiselles d'Avignon by Pablo Picasso, The Large Bathers by Paul C&eacute;zanne and Impression, Sunrise by Claude Monet.&nbsp; The different types of modern art are:&nbsp; <ul> <li style="font-weight: 400;">Impressionism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Post Impressionism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Fauvism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Expressionism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Cubism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Surrealism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Abstract Expressionism&nbsp;</li> </ul> &nbsp;8.CONTEMPORARY ART (21st century) Contemporary art means art; painting, sculpture, photography, video art, installation and production are performed today. It allows the artist to reflect upon the social issues related to humanity in today's world. High-end technology and cultural diversity globally surrounds artists in today's time. This form of art stands out because of its lack of organization, uniformity and ideology.&nbsp; The different types of contemporary art are: <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839574068561628682884185%2FThe%20History%20of%20Art_5.webp?alt=media&token=460edc0d-69c6-4de1-a10a-74c749f22f79" alt="File preview" width="740" height="555" /> <ul> <li style="font-weight: 400;">Pop art&nbsp;&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Photorealism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Conceptualism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Minimalism&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Performance art&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Installation art&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Earth art&nbsp;</li> </ul> <ul> <li style="font-weight: 400;">Street art&nbsp;</li> </ul>

The History of Art

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0202072586930484021635362946595%2Fimage1.webp?alt=media&token=754af849-7759-4104-ad5a-eb79787e56b8" alt="File preview" width="500" /> In the final article in this 3 part series, we will discuss whether or not society really needs morals in order to function, as well as the principles of justice and equality when making moral considerations. <h3> Do We Really Need a Defined Set of Morals for Society to Function? </h3> No ethical or moral system is likely to be perfect in all cases. There are simply too many different possible scenarios along with their variables that can arise for any single value system to provide perfect solutions all of the time. If a set of moral principles is too vague, then the answers it offers become unclear. But if an ethical system becomes too precisely delineated, everyone becomes weighed down with expansive legalism that is difficult to follow. Human beings are social animals by nature, and there are currently 7.8 billion of us living together. Suppose certain classes of people acted only as ends unto themselves, such as the higher human beings that Nietzsche refers to. How would we collectively begin to achieve any sort of overall harmony of value judgments? How would this affect how we treat each other? For instance, would it be permissible for a &lsquo;higher man&rsquo; to treat other persons from the herd however they pleased - since their moral judgments are far beyond what lesser individuals can comprehend? Any student of 20th-century history quickly realizes how problematic and dangerous such ideas have the potential to become. Or are there universal moral principles that supersede the individual&rsquo;s will? While adhering to an established system of morals might diminish the individual&#39;s autonomous range, perhaps a different sort of freedom might arise. Would it be possible to free the self in service of a greater good instead of being slaves to our impulses or cyclically pursuing our own ends? Additionally, while the idea of great men creating their own values and pushing the envelope of morality sounds good in theory, how would it work relative to history? Since little is truly new under the sun, and everything that exists now has essentially come before in some form or another, how would someone trying to create their own values manage to do anything truly unique? Somewhere, sometime, someone on this planet has likely been confronted with a similar moral choice that mirrors almost any that we could face. And since the energy of life on this earth remains interconnected as it moves through time, it would seem that we are simply playing a temporary role in continuing a much larger cycle of cause and effect. Learning from life often involves making mistakes and trying not to repeat them. This process continues the cycle of growth that leads us away from stagnation or decay. To see clearly and learn from the mistakes of others without suffering the same fate is wisdom. Perhaps the moral insights that will become most valuable to us are those that we discover both from the real pain of our mistakes along with looking to the cumulative wisdom of others. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0202072586930484021635362946595%2Fimage3.webp?alt=media&token=093e5089-0370-4744-b7c9-10e334f29d6f" alt="File preview" width="700" height="466" /> <h3> The Moral Issues of Equality and Justice </h3> Finally, perhaps by considering the relationship of morality to other integral principles, we can better balance personal freedom and social responsibilities. One of the foundational principles of ethics is that of equality in regards to justice. Because while all human beings may not be physically, intellectually, socially, or financially equal, all are endowed with a basic set of rights. All are equally deserving of moral consideration. If you remove this fundamental principle from any ethical equation, it will likely result in some form of inequality and exploitation of a person (or group) by another. And a moral system based on exploitation isn&rsquo;t much of a moral system at all. <ul> <li> Any system that allows certain individuals the absolute freedom to ignore the rights of the larger, collective group or target the rights of other individuals is explicitly not ethical. </li> <li> But the systemic process of allowing groups in power to overreach and interfere with certain innate personal freedoms of individuals (thereby limiting their potential) is also harmful and unethical. </li> </ul> Is there some system that might better balance the rights of various individuals from all groups? &nbsp;No system will be perfect for all members since there are so many diverse situations and characteristics. But using universal principles of some kind to formulate a baseline of ethical standards applicable to all must occur to ensure fundamental rights. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0202072586930484021635362946595%2Fimage2.webp?alt=media&token=645165b3-3f48-4c44-a0ff-d44e6ebf4138" alt="File preview" width="700" height="466" /> <h3>Article Summary:</h3> <ul> <li> If we fail to thoroughly examine the validity of our most deeply held values, to recognize where they come from and why they are important, they become hollow and meaningless over time. When values lose their integrity, it leads to blind obedience, unquestioning conformity, and moral stagnation. </li> <li> However, suppose we set ourselves adrift in a sea of moral relativism or begin to say that there are no universal moral truths that are greater than our own free will. In that case, we risk becoming lost in ourselves and falling prey to our biases and desires. We risk creating a hell on earth while trying to fashion a paradise of our own design. </li> </ul>

Part 3 of 3: The Development of Morality - Nietzsche vs Kohlberg

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.069722072775078691635260788558%2Fimage1.webp?alt=media&token=1ba4366e-2b0d-4bf4-8b09-4cd52786240a" alt="File preview" width="700" height="466" /> Setting the Scene: Lawrence Kohlberg (1927-1987) was an American Psychologist who studied how people solved moral dilemmas. Kohlberg’s work often involved posing various moral questions to his research subjects. A famous example would be the ‘Heinz dilemma.’ It was a hypothetical question regarding a man who had the chance to steal life-saving drugs for his very sick wife and why he might decide to choose a specific course of action over another. To correctly classify these responses, Kohlberg proposed a basic construct for categorizing them that correspond to different moral developmental reasoning stages. Over the years, there has been some criticism of its limitations and legitimate questions about its scope and accuracy. However, it gives us an excellent starting point to begin our discussion on the topic of morality. <table style="width: 468pt; border-collapse: collapse; margin-left: 5pt"> <tr style="height: 27.25pt"> <td colspan="3" style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 2.25pt; padding-left: 5pt; padding-right: 5pt; padding-top: 5pt; padding-bottom: 3.88pt; vertical-align: bottom; " > The 6 Stages/Levels of Moral Development according to Kohlberg </td> </tr> <tr style="height: 21.25pt"></tr> <tr style="height: 25.75pt"> <td rowspan="2" style=" border-top-color: #000000; border-top-style: solid; border-top-width: 1pt; border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; padding: 5pt; width: fit-content !important; " > Preconventional Morality </td> <td style=" border-top-color: #000000; border-top-style: solid; border-top-width: 1pt; border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 1 </td> <td style=" border-top-color: #000000; border-top-style: solid; border-top-width: 1pt; border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Punishment and Obedience - Follow the rules to avoid punishment </td> </tr> <tr style="height: 27.25pt"> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 2 </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Self Interest - How does complying with the rules benefit me? </td> </tr> <tr style="height: 25.75pt"> <td rowspan="2" style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; padding: 5pt; width: fit-content !important; " > Conventional Morality </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 3 </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Social Norms - Conforming to others expectations of goodness </td> </tr> <tr style="height: 27.25pt"> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 4 </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Law and Order - Submission to authority because it’s the law </td> </tr> <tr style="height: 25.75pt"> <td rowspan="3" style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; padding-left: 4.5pt; padding-right: 5pt; padding-top: 5pt; padding-bottom: 4.5pt; padding: 5pt; width: fit-content !important; " > Postconventional Morality </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 5 </td> <td style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Social Contract - Do it for the greater common good </td> </tr> <tr style="height: 25.75pt"> <td rowspan="2" style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-left-color: #000000; border-left-style: solid; border-left-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: 2em !important; " > 6 </td> <td rowspan="2" style=" border-bottom-color: #000000; border-bottom-style: solid; border-bottom-width: 1pt; border-right-color: #000000; border-right-style: solid; border-right-width: 1pt; padding: 5pt; width: fit-content !important; " > Universal Ethical Principles - moral code based on universal values greater than oneself takes precedence over lesser laws and social mores </td> </tr> <tr style="height: 35.5pt"></tr> </table> <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.069722072775078691635260788558%2Fimage2.webp?alt=media&token=695eccc0-e08e-46c2-ba09-93c68f708d51" alt="File preview" width="700" height="466" /> Friedrich Nietzsche (1844-1900) was a German Philosopher and writer who often considered moral and ethical issues related to the concepts of personal identity and freedom. Nietzsche was a writer of great cleverness and wit. His work is still widely read and quoted to this day, and his ideas helped form the basis of many important discussions on cultural issues during the 20th century. Nietzsche’s writings often focused on the restrictive nature of morality used as a form of groupthink by the masses to suppress the creativity and originality of truly great individuals. Here are some of Nietzsche’s quotes regarding morality: “Morality is just a fiction used by the herd of inferior human beings to hold back the few superior men.” “Let us not underestimate this: we ourselves, we free spirits, are nothing less than a “revaluation of all values,” an incarnate declaration of war and triumph over all the ancient conceptions of “true” and “untrue.”” – The Antichrist “One becomes moral – not because one is moral. Submission to morality can be slavish or vain or selfish or resigned or obtusely enthusiastic or thoughtless or an act of desperation, like submission to a prince: in itself it is nothing moral.” – The Dawn “Convictions are more dangerous enemies of the truth than lies.” – Human, All Too Human For believe me! — the secret for harvesting from existence the greatest fruitfulness and the greatest enjoyment is: to live dangerously! – The Gay Science While every noble morality develops from a triumphant affirmation of itself, slave morality from the outset says No to what is "outside," what is "different," what is "not itself"; and this No is its creative deed. – Genealogy of Morals The Presence of Conflicting Values: Moral debates often arise when conflicting values or goods are considered, and when we must make a choice between them. Moral debates can center around specific issues or concrete examples of conflict that exist in real life. Or, they can also center around broader or more abstract forms of reasoning in hypothetical scenarios. People debating a particular issue can come into conflict because one person is arguing about a single case based on its own specific merits. Another person may be extrapolating from the same data to formulate answers relevant to broader hypothetical situations. The debaters need to recognize the scope of their arguments to compare their conclusions effectively. In this article, we will be dealing with general ideas about morality rather than venturing into a discussion of specific cases. Here are two questions to consider before reading further: · How do we balance a sense of personal freedom and autonomy along with social responsibility and the universal principles of moral integrity? · And are there universal principles of morality that are truly greater than the individual? Or is the greatness of man the measure of all things? In Part 2 of this article, we will begin to compare and contrast some of the ideas of Nietzsche and Kohlberg. There will also be a series of questions for the reader to consider regarding this. Finally, in Part 3 of this article, we will consider the role of morality in building a functional society and how it all ties into the principles of equality and justice.

The Development of Morality - Nietzsche vs Kohlberg - Part 1 of 3

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/article_images%2FIs%20happiness%20a%20Universal%20concept_1.png?alt=media&token=f3a8047b-814e-4ce8-b44b-d0f776449f90" alt="File preview" width="700" height="466" />To question the nature of happiness would be too clich&eacute; of an opener, but I am sorry to announce that we&rsquo;re going to have to start like this for the sake of time. If by happiness you mean positive emotions, this piece is not for you. Positive emotions can be good, but if that&rsquo;s the only thing you&rsquo;re chasing, you might just be in a constant state of mania. Trust me, I&rsquo;ve chased them for a long time and can say that with confidence. I still like to do so from time to time because&nbsp;what is life without a little bit of forbidden fruit salad? &nbsp; I like to look at happiness resulting from&nbsp;efforts we have put into ourselves and our lives, resulting&nbsp;in a minimum amount of needless agony. We cannot find ourselves in life without suffering, but we can create a small heaven for ourselves as we slowly head towards death. After which we may land in hell, in which even if you don&rsquo;t believe in it through a religious lens . As one of my favorite&nbsp;quotes lays out, &ldquo;Hell is other people&rdquo;. You&nbsp;might be encouraged to lose a little faith in humanity if you are a cynic. Still, this quote&rsquo;s teaching is based on&nbsp;the idea that other people&rsquo;s judgment&nbsp;will always&nbsp;hold a piece of your identity and subsequently how you evaluate yourself. This is one of the many reasons why social cohesion and cooperation&nbsp;is so important and vital to our survival. It is not a mere superficial modern illusion of ego and looks based approach or a primitive need for tribalism and tribal associations. Social status is important because our existence is heavily connected to our coexistence. Through the individual manifestation of our responsibilities, we can enjoy our rights. Think of it like Karma, do good and get good. And, if Karma does not convince you, do some reading on the &ldquo;Shopping Cart Theory&#39;&#39;, and you might&nbsp;get lost in the rabbit hole of the domino effect in which we all abandon our moral grounds, all starting just with a shopping cart. &nbsp; Now, let&rsquo;s look at heaven and how&nbsp;to lay the foundations of this heaven. Although this can vary amongst people, ages, religions, and cultures, &nbsp;thankfully, certain universals make&nbsp;us all human. We&nbsp;can find common ground about what brings&nbsp;quality into our lives. This can be anything, from a meal with a loved one to a long-overdue&nbsp;phone call with a friend, to doing what you love as a job or having a &nbsp;family that you feel at home with, or even something as simple as taking a walk . &nbsp;The list goes on and on, but you get the gist. It&rsquo;s the little things in life. &nbsp; But how do you get to appreciate those little things as the foundations of life when it is all too human to get consumed by the infamous existential void? &nbsp; The answers to this question are many and plausibly too complex to fit into a book or an article. But let&rsquo;s try and dip our toes into this complex pool for a little bit. A few things&nbsp;have fascinated me more than the overlap between spirituality and the process of growing through the pain that is&nbsp;the unplanned, unforeseen, unlucky and flat out bad experiences in life. I&nbsp;believe that certain human universals constitute&nbsp;the standard for a decent human life with enough happy moments to die satisfied. If you are still intrigued enough to be reading this, try to think of this as a big question mark. So, is happiness based on&nbsp;spirituality, psychoanalysis, or merely the universe and the rules that govern it? And no, I am not a quantum physicist, so I won&rsquo;t be talking about how&nbsp;the universe works. But since we all have the universe inside of us, if&nbsp;we look deep enough, we can find a bit of wisdom hidden through a little piece of the universe, or God, or whatever it is that governs the greater reality that we live in. &nbsp; Suppose&nbsp;we were to look at happiness through the lens of psychology and psychoanalysis. In that case,&nbsp;we can see a bottom line of working through your issues, getting to know, accepting and integrating your shadow and growing into the person that embodies your potential to the fullest extent. Successfully, this results in a life that balances out good relationships with family and loved ones, an acceptable social status to pass on to the next generation (in evolutionary terms), a roof over your head, minimal anxiety for basic survival needs and a feeling of being content with the life you have. &nbsp; If you take a look at spiritual teachings, you will come across the idea of content-ness almost immediately; mindfulness teaches, among many things, the idea that the present moment is all that there is. It is what it is. You&nbsp;can&rsquo;t be happy all the time as that is too unrealistic. You just have to be content, there, in the moment with anything it might bring with it. Unless in a life threatening situation, of course! &nbsp; In the psychological journey, you develop the skills and personality traits to deal with the adversities in your life to&nbsp;take the reigns of your life and structure it so&nbsp;that it is meaningful enough to carry on. Allow&nbsp;me to quote Buddha: &ldquo;Pain is inevitable, suffering is optional&rdquo; . This&nbsp;resonates enough with humans to be attributed to Buddha for some reason. Comparatively, the most popular clinical psychologist and intellectual of our time, Jordan Peterson - whether you like him or not- resonates with an increasingly large audience through a similar message. It is a&nbsp;message that is deeply rooted in the idea of growing and taking responsibility for the things in your control, rather than losing yourself in nihilism and meaningless pursuits. Why do these ideas resonate with people cross-culturally, whether through an ancient philosophy like Buddhism or a clinical psychologist? Is there an overlap between these two? And if yes, does this mean there is a universal truth to what makes a good, happy life? Are we about to discover the key to happiness by the end of this? &nbsp; Probably not, but we can at least hope that we might continue the pursuit of happiness until the end of time, not because we have not obtained it, but to keep it. Survival is not the only reason for living, but after survival comes thriving. If you manage to survive, simple things &nbsp;matter and if you appreciate the little things, greater things will come; you will thrive. Whether you look at this through a spiritual, religious or psychological perspective, life is nothing but a constant pursuit of that little moment of happiness through growth resulting from inevitable challenges&nbsp;included in life.

Is happiness a Universal concept?

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0142054683348544761631040060663%2FThe%20Non-Pursuit%20of%20Happiness_1.webp?alt=media&token=432a9687-e01d-48b4-8d14-45c85fd54726" alt="File preview" width="700" height="466" /> It doesn&rsquo;t take much looking around to find overly sentimental or simplistic quotes about happiness. Everybody seems to have something to share with us about the subject. Here are a few examples:&nbsp; <ul> <li> &nbsp; &nbsp; &ldquo;Don&rsquo;t let anything get in the way of your happiness.&rdquo;&nbsp;</li> </ul> <ul> <li> &nbsp; &nbsp; "To be happy, you must be your own sunshine."&nbsp;</li> </ul> <ul> <li> &nbsp; &nbsp; &ldquo;Whatever you decide to do, make sure it makes you happy.&rdquo;&nbsp;</li> </ul> <ul> <li> &nbsp; &nbsp; &ldquo;Life is full of choices. Choose to be happy!&rdquo;&nbsp;</li> </ul> <ul> <li> &nbsp; &nbsp; &ldquo;Doing what you like is freedom. Liking what you do is happiness!&rdquo;&nbsp;</li> </ul> <ul> <li> &nbsp; &nbsp; &ldquo;Act the way you want to feel.&rdquo;&nbsp;</li> </ul> Having my mind soiled by slogans like this used to infuriate me. Now I find them so ridiculous that they seem to take on more of a comic quality instead. It&rsquo;s not even the triteness of any particular message that I find so obnoxious; it's more about the overall condescending tone and not-so-subtle hints of bullshit.&nbsp; Happiness IS essential to us all. Silly quotes and toxic positivity aside, we need to manage our psychological health and well-being to derive some sense of satisfaction from this life. Or else why keep going on? If I had the chance to go back in time and share one idea about happiness with my younger self, it would be this: The concept of happiness covers a broad spectrum of meanings, and it&rsquo;s certainly not the same for all people. There is a big difference between constantly chasing an elevated quality of happiness based on always grasping for &lsquo;better&rsquo; or &lsquo;more&rsquo; versus letting your happiness arise spontaneously from a well-grounded and consistent practice of daily living. If I consistently strive for happiness and treat it as an end unto itself, then typically, reaching and sustaining it becomes dependent on meeting various external conditions, often beyond my locus of control. If most of my conditions for things to be 'good' are met, I will be happy. If just some of my many conditions are met, then my happiness will begin to fade. If few or none of my conditions are met, then I will be miserable. Time factors into the equation as well, since it&rsquo;s never quite enough just getting what we need right now to make us happy. We find that we will also always need more of whatever it is for the future. And so, there is always another carrot (reward) dangling in front of us that we must keep moving towards. &nbsp;Now we find ourselves on the hedonic treadmill of life, constantly pursuing some externally conditioned version of happiness. Economies rely heavily on it. Social relationships often build around it. Most of all, we are convinced that we need it to live, and if we don't get it, then the entire world is an awful place. The relentless pursuit of a conditional ideal of happiness has the potential to become one of the most significant sources of existential frustration and misery in our lives. It makes us regret the past, leaves us discontent with the present, and creates a sense of fear and anxiety about the future. &nbsp;The thing about life is that it goes on regardless of whether we are happy or not. I keep breathing, whether I'm ecstatic or dejected. The sun rises and sets whether I'm morose or elated. The universe is indifferent to our happiness or suffering. But to us, it seems essential &ndash; often the most important thing in our lives.&nbsp; &nbsp;If things tend to break your way a lot in life, if you are lucky, or won the genetic/birth lottery, so to speak, then it's often relatively easy to maintain a consistent state of conditional happiness. You had it all along, it was never really taken away from you, and you go along in life feeling quite satisfied with yourself. And there is nothing inherently wrong with living a basic or superficial life like that. If it makes you happy and you can get away with it, then, by all means, do it!&nbsp; &nbsp;The problem is, we also live in a universe that is impermanent and constantly changing. Statistically speaking, the odds of a person making it unscathed by some misfortune are fairly slim. Some &lsquo;lucky&rsquo; individuals seem to skate through life without a scratch &ndash; but most of us suffer at least a little, or sadly, a lot. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0142054683348544761631040060663%2FThe%20Non-Pursuit%20of%20Happiness_2.webp?alt=media&token=fe16337f-e2c8-4ae8-bb83-2450853e189e" alt="File preview" width="700" height="466" /> So how can we try to be happy then?&nbsp; &nbsp;First - Quit obsessing about it. Stop chasing after happiness like it&rsquo;s some kind of life goal to be achieved. It can&rsquo;t and won&rsquo;t be possessed or held by us forever. Happiness comes; it stays for a while, then it leaves. Hopefully, it returns in some new form or another, and preferably soon. It's essential to cultivate things in life that are likely to lead to long-term satisfaction. But they still generally follow the same pattern of coming and going, rising and falling over time. The sooner we make peace with the entropy that permeates everything around us and inside of us, the less time we will spend fighting in vain against the current. &nbsp;Second - Since we aren't spending our days and nights in the constant pursuit (obsession) over conditional happiness, what do we do with ourselves with all of our free time instead? The answer is that we take that time to build character and get to know ourselves. We cultivate the ability to withstand the bad times better when they come, learn not to waste energy clinging to the good times when they inevitably depart and develop a sense of gratitude for when the beautiful things in life do finally arrive. &nbsp;Easier said than done, I know.&nbsp; Because honestly, it seems like a lot more fun to gamble and play the game than to spend time doing the heavy lifting and asking difficult questions. Plus, it might make you seem a little different to others &ndash; perhaps even weird. Most people are already on a happiness treadmill of some kind, and they are convinced that you should be too if you want to get the best of what the world offers. The world is filled with dangling carrots. Quite often, nobody wants to hear about someone else who has disavowed chasing these types of prizes &ndash; and taking this sort of position amplifies the lack of common ground between them. &nbsp;I tried chasing happiness in my life for a long time. Some people that I have known have had much better luck than me, others far worse. But in the end, I found that the whole game was exhausting &ndash; and it often seemed rigged. So, I decided that I needed to explore some alternate pathways in life instead. And the greater amount of time that I spent away from the happiness treadmill, the less I found that I missed it.&nbsp; &nbsp;Because when your happiness isn&rsquo;t as dependent on conditional things, it makes it a lot harder for the world to snatch it away from you. And the low-hanging fruit in life often has a way of being the first to spoil - even when you manage to store some of it up. &nbsp;This choice isn't an all-or-nothing scenario. It&rsquo;s a balancing act. Your life choices will trend in one direction or another. You could shift the balance of your life's satisfaction to external and conditional things outside of yourself. Or you could focus on developing resilience and making peace with life on its own terms. Either way, you choose a path daily, and you have to keep walking it. &nbsp;<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0142054683348544761631040060663%2FThe%20Non-Pursuit%20of%20Happiness_3.webp?alt=media&token=33769263-9481-4a61-8edc-848dec0def93" alt="File preview" width="700" height="466" /> &nbsp;It&rsquo;s important to understand from the start that it&rsquo;s unlikely you will ever arrive at some fixed destination in life where you suddenly release all of these conditional attachments to happiness and gain enlightenment. But you can start by taking care of one thing in your life at a time, do it to the best of your current ability, and then move on to the next thing - similar to weeding a garden. This process of releasing long-held goals to root around in the dirt of the self can be pretty painful at first, but in time, you will grow more accustomed to it. Considering these ideas today, I&rsquo;m not entirely sure if my younger self would have fully embraced them or laughed at them and tossed them away. The dangling carrots were both plentiful and far more novel back then. At this point in life, I suppose I'm just content to be fortunate enough to have done my time on the happiness treadmill and still had a chance to jump off and look for something different. &nbsp;I&rsquo;m just sitting here watching the wheels go round and round. I really love to watch them roll. No longer riding on the merry-go-round, I just had to let it go. - &nbsp; &nbsp; &nbsp; John Lennon

The Non-Pursuit of Happiness

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.102809502103431431634384762413%2Fimage1.webp?alt=media&token=252ffbd9-e7e2-4c60-81eb-836f08101c52" alt="File preview" width="700" /> In one perspective, time could be easily seen as a homeless person: ignored, despised by some, where only the wise and the goodhearted pay attention and try to help. The result of a system that is too busy counting money and not caring about death because &ldquo;diamonds last forever&rdquo;. But time (as a homeless person) is on the streets, constantly showing us that there is something wrong with the world and that beyond all distractions, suffering still is the infrastructure of mankind. Time will stop you on your way to work and ask for just a spare change, and you may ignore it, but the uneasiness of being indifferent will stick with you, and you&rsquo;ll be anxious. Or maybe time can also be the soldier in the field, fighting against chaos and ensuring our liberty because time is what secures our present since even against all odds, existence somehow manages to thrive in a universe of uncertainty. It is also possible for time to be an artist on the street, ignoring the before or after, living in between. Because what is real can only be real in the present, what is in the past is merely a memory. And what is the future, if not only speculation?&nbsp;The artist, when playing his art, carries the wisdom of living according to existence. Often underestimated and seen as stupid or unimportant, however, with the flow of events the strokes of paint and the agressive hits at the Canvas that one day was foolish suddenly becomes what is called &ldquo;a masterpiece&rdquo; and finally taken seriously. In the same way, time flows constantly and wipes out entire empires. Time could be seen as the baker who gives us our daily bread, but it can also be seen as the cop that will throw you in a cell at the slightest mistake. (As we can see in people who spent years of their life with something they regret, and they can feel nothing on their deathbed but resentment) <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.102809502103431431634384762413%2Fimage2.webp?alt=media&token=37c8ba1b-df8f-49ce-809e-ab7d06574765" alt="File preview" width="700" /> The truth is that time is what you make of it, your ally, your enemy, bliss or a curse and the only thing known for sure is that it eventually outruns everyone and everything. The choices we make are responsible for building the persona that time will incorporate into our lives. Ten minutes of sleep may be minimal, but ten minutes of excruciating pain is unforgettable. And the reason why we should have that in mind is that, in the end, a desensitized life guided only by what is convenient and emptiness is arguably worth less than a single moment of virtue and authenticity. To make good usage of time is not only to be productive but to make every second count. Of course, in the 24 hours that a day has, we won&rsquo;t be able to make each second worth a lifetime, but unfortunately, the opposite is possible, and it is rather common: 24 hours can be easily wasted. In our last seconds, time serves as a judge and although the sentence is inevitably death&nbsp;the difference will be: The verdict of some will be a shameful one (for those who have completely wasted their life), and others will have glory as because they wisely lived while they could.

What if time was a person?

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839774038561628072884185%2FLed%20Lighted%20Sun_MattheusBiermann_1.webp?alt=media&token=401251ed-e2fa-4375-84ed-ded865f7880c" alt="" /> Social media has an immense influence on the world. It is a gift, but that doesn&rsquo;t seem to be so self-evident. With the Greek myth of Icarus, it is possible to understand why the advantage of social media is not so clear and how we can use it for our benefit. The myth is one of the most famous ones telling the story of Daedalus and his son Icarus, both trapped in a maze until Daedalus, an ingenious craftsman, has the idea of creating wings out of feathers and wax. He successfully develops the wings. However, knowing the dangers of the same, the craftsman warns his son: &ldquo;Take the middle way because the moisture will weigh down your wings if you fly too low. But if you go too high, the sun will scorch them.&rdquo; Ignoring his father&rsquo;s warnings, blinded by the graciousness of flight, Icarus flew too close to the sun and fell to his death. Although the wings were well built, their poor use led to a tragedy. The same is true for social media. With the creation of a digital space where people from all around the world can interact, humanity should be connected and happier since we are social beings. However, this is not the case. The led lights on our smartphones are almost like the sun, shining bright and capturing our attention, falling in love with the notifications of someone liking our photos; we got addicted to the images and forgot the real purpose of those inventions.&nbsp; This forgetting is dangerous since a tool can become a weapon at the moment the purpose of it is changed. And with social media, the danger is the merchandising of happiness, as if while scrolling down or upon our phones, we may find sparks of joy. We do get those sparks. &nbsp;Harvard University researcher Trevor Haynes wrote an article exploring the relation between pumps of dopamine and several tools on the internet, such as posting a picture on Instagram and the notifications we receive on our smartphones. When an individual receives likes, the same is rewarded with a small dose of dopamine, reinforcing that behavior to be anxious if he doesn&rsquo;t receive the likes and &ldquo;happier&rdquo; if more people like the picture. That&rsquo;s basically how any drug works, with those pumps of dopamine reinforcing a habit, and for that matter, Social Media Addiction is a real and serious problem that requires attention. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.0321242839774038561628072884185%2FLed%20Lighted%20Sun_MattheusBiermann_2.webp?alt=media&token=e8be00cb-fa96-4513-adad-59cb2758a50b" alt="" width="763" height="486" /> The solution is not to abandon technology and return to a primitive state because that wouldn&rsquo;t be the middle way. It would be &ldquo;flying low&rdquo;, which can also be a problem. However, the understanding of the social media mechanisms is crucial to developing better use of the platforms. Most importantly, one must be cautious not to fly too high and fall for being blinded by the unreal, superficial, and addictive dangers that lurk in social media.

The Connection Between Social Media and Happiness

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.169789187694630471638958360820%2Fimage1.webp?alt=media&token=a1895264-6d7f-4efd-bcb2-ddde75d5f999" alt="File preview" width="700" height="466" /> Throughout this day, you will probably encounter numerous works of art. It may be a photograph on Instagram, poetry on Twitter, or just a piece of music you will listen to while cleaning the dishes. If you stop to think about it, art is all around us, and what&rsquo;s more, art is playing a central role in our lives, in such a way that if you were asked to imagine a world without art, you might not even be capable of doing so. We must be grateful for people who create art. But there isn&rsquo;t such a person because art has never been created. It was only perceived and expressed. We can barely rely on the definition of art because the concept itself is vast and abstract, and what one finds beautiful seems dull to another. Well, since art hasn&rsquo;t been created, when did we start to perceive it? How did we get here, in a world whose infrastructure depends on artistic thinking? The first form of art we know of is rock art, and it took place in the caves of prehistory. The moment where one decided to print its hand on rock using coal and other materials as &ldquo;paint&rdquo;. The first breath of art came with the thought: I exist, I&rsquo;ve been here, &nbsp;and that was an act of rebellion against death itself because to be remembered is to also be alive in other people&rsquo;s minds. Time passed, we as individuals became more sophisticated and judgmental, like a fire that may change its flames but will not fail to keep warm, and most importantly, it won&rsquo;t allow darkness to take complete control of us. We have passed through the greek sculptures, the Mona Lisa, literature, forms of dance, movies, architecture, and even science. &nbsp;All those forms of art, though different, share one thing in common: They give a different meaning to our existence. It&rsquo;s not just because the piece is either amazing, beautiful, or provoking. Still, it resides in the idea that we, as mortal beings, can bring such wonderfulness to existence. <img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.169789187694630471638958360820%2Fimage2.webp?alt=media&token=493204c0-1879-4344-93f8-771201c1540b" alt="File preview" width="700" height="466" /> However, art should not only be seen but also lived. The graffiti in the next corner looks out for each one of us as a reminder of the ancient artists. Despite being more vulnerable to life&rsquo;s dangers, they knew the importance of art, the appreciation of existence and the importance of authenticity. So a good exercise is to consciously look at art differently. It may be something simple as &ldquo;this landscape would give a good photograph&rdquo; or complex as &ldquo;well, this person looks like it came straight out of a play&rdquo;. The goal is to sharpen our minds so that we don&rsquo;t ignore the details around us and remember that we exist and are here. How has art reminded you of your existence? Share your story with us in the comments.

Art: A Friendly Reminder of Existence

<img alt="" src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.179983714080101051634738394852%2Fimage1.webp?alt=media&token=ae0b2d0c-62d1-4e2e-8bd9-f85af5c67921" > Across history, peace has often been the ultimate goal, to the point where peace can be taken as a state of being, where balance finally reaches its perfect form. However, we are unsure what &ldquo;peace&rdquo; really means since it&rsquo;s hard to imagine what it implies. One thing is clear, and that is &ldquo;If you want peace, go to war&rdquo; (or in the ancient saying, Si vis pacem para bellum). Because like all things in a non-absolute cosmos, one demands its own opposite to exist. If it weren&rsquo;t for silence, sound would be meaningless. If it wasn&rsquo;t for chaos, what would order be? And in our case scenario, if it wasn&rsquo;t for war, would there be any peace? We arrive at the conclusion that firstly: Peace must be achieved; it isn&rsquo;t given because there is a cost. To conquer one&rsquo;s happiness, it is necessary to look for it and break free from every shackle that separates us from that state of being. A guide to peace in that sense would ironically be the art of war, by Sun Tzu. In his own words, &ldquo;The true reason for war is peace&rdquo;. In the Art of War, Sun Tzu describes the strategies one should follow in means of war. These strategies are focused not only on the battlefield where battles will take place but also on the generals, in the army&rsquo;s mindset, and so it goes. The reason for that, as taught by Sun Tzu himself, is that the good warrior wins the war and then goes to battle while the bad warrior goes to battle and then tries to win the war. We can find the same behaviour in the search for internal peace in modern times. We first must prepare ourselves and understand that our most fierce enemy is within ourselves. But how would that help us to find peace? &nbsp;This question throughout history has led to the conclusion that one needs discipline; to be always on the watch for the failures of the self. The Stoics are in our days one of the most mentioned philosophies concerning self-development, and they also refer to the importance of discipline - they even describe it as the discipline of Perception, action and will. <img alt="" src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.179983714080101051634738394852%2Fimage2.webp?alt=media&token=972047fc-d943-4414-8a21-5dcb9d864048" > The discipline of perception relates to the objectivity of thought and the necessity of seeing things precisely as they are to align our judgment with reality. The second discipline is the discipline of action, and it relates to the way we behave in society. To put it simply, we can remind ourselves of what Marcus Aurelius wrote in Meditations: &ldquo;That which is not good for the bee-hive cannot be good for the bees.&rdquo; &nbsp;The third discipline being the discipline of the will. It is necessary for the dichotomy of control since there are events within and out of your control. You should only focus on those you can do something about. If not, you will encounter anxiety, and your uneasiness will take your peace away from yourself. Sun Tzu also mentions the importance of discipline: &ldquo;These are the six ways of courting defeat - neglect to estimate the enemy&#39;s strength; want of authority; defective training; unjustifiable anger; nonobservance of discipline; failure to use picked men.&rdquo; Having that in mind, we can understand that if we are looking for peace, the only war is with ourselves. It is a conflict that we will inevitably find ourselves in at some point in our lives. However, if we voluntarily confront ourselves, we avoid getting caught unprepared.

The War Within and the Search of Peace

<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.038609244985196911630871191338%2FThe%20Distance%20Embracing%20Model%20Of%20Art_2.webp?alt=media&token=85b20cb9-8d38-4ad6-afbb-327842803a74" alt="File preview" width="700" height="466" />Human beings have an inborn desire to express themselves. We as a species are curious, and one way to expand our need for curiosity is through the arts. Art reinforces our imagination and creativity. It enables us to dive deeper into the human consciousness. Art acts as a medium to express our desires and conflicts with a sense of wonder and fascination. It is a mechanism to negotiate with reality. An artist picks up a brush to make peace with their past and hope for a better future.Art makes our reality less ugly, for the colors fill our hearts and mind with a temporary sense of awe. Art keeps us afloat and acts as an emotional compass. Artworks serve as pieces of the puzzle for human existence.&nbsp;Art is a beautiful way of documenting reality, paired with creativity. Through art, we can travel through time and better understand the complexity of our past. Art creates a space where we can communicate with the artist, the creator, through expressions, in any form.&nbsp;Negative emotions are an essential resource for the arts. Negative emotions bring about intense involvement, high memorability and are influential in gripping our attention. Thus, they hold a special place in the memory of events in our life. A fine piece of art attempts to achieve the given characteristics. Thus, art that leads to negative emotions etches a saga in our memory.&nbsp;<img src="https://firebasestorage.googleapis.com/v0/b/creed-community.appspot.com/o/images%2F0.038609244985196911630871191338%2FThe%20Distance%20Embracing%20Model%20Of%20Art_1.webp?alt=media&token=659d27f1-b221-4763-858d-1691751f8957" alt="File preview" width="700" height="466" />The theory of tragedy proposed by Aristotle states that the main aim of tragedy is to bring about a catharsis of spectators &mdash; to give rise to emotions of pity, fear, and hope. So that the spectators leave the theatre feeling cleansed and uplifted. Art is therapeutic. However, the theory of tragedy sounds like a profound contradiction because we want to be happy, right? We seek happiness in art. So why do art forms which lead to negative emotions move us? Since Greek and Latin antiquity, treatises on rhetoric and poetics widely assume that artworks compete for attention, intense emotional involvement, and high memorability (Lausberg 1998; Quintilian 1920). Recent psychological research has provided evidence that many negative emotions have a powerful grip on attention, are intensely felt, are less prone to fade or return to baseline level than positive emotions, and often have access to privileged storage in memory (Cacioppo &amp; Gardner 1999; Frijda 1988; Larsen &amp; Prizmic 2008; Musch &amp; Klauer 2003; Rozin &amp; Royzman 2001; Vaish et al. 2008). The formula "bad is stronger than good" (Baumeister et al. 2001) provocatively summarizes this line of research.&nbsp;The psychologist Winfried Menninghuas has offered the 'distance - embracing' model to explain why we love and appreciate art that brings about negative feelings. Art invites us to embrace our negative emotions. Through art, we learn to sit with the uncomfortable feelings which were unexpressed. Art unearths the feelings that reside in the hidden corners of our minds. Research into different types of pleasure has shown that intellectual and emotional pleasures (including those of art reception) routinely "encompass negative emotions like sadness &hellip; and positive emotions that entail complex appraisal" (Dub&eacute;&amp;LeBel2003,p.291; see also Berenbaum 2002). In contrast, physical pleasures tend to be least affected by concomitant negative emotions (Dub&eacute; &amp; Le Bel 2003).&nbsp;However, when we experience negative emotions while seeing any art form, we distance ourselves from these negative emotions and control them. Thus, through this process, we better understand ourselves and our unexpressed hidden self. Importantly, recent research has shown that chills and goosebumps in art contexts are physiological correlates of states of being emotionally moved (Benedek &amp; Kaernbach 2011; Wassiliwizky et al. 2015).Therefore, we can conclude that art is a way of stumbling on a truth. The fact that life consists of ingrained suffering. Yet, art preserves the pieces of humanity by acting as a mirror for humans. We resort to the idea of art when we experience sorrow. No matter how broken one is, art can mend and comfort even the torn souls.Art is mood, an emotion, a behavior because, through art, one discovers a medium of expression. It helps us connect with our deeper self and realize that true beauty exists in tragedy. Humans are an elegant tragedy, and art molds us into beings of higher consciousness.&nbsp;&nbsp;

What do think about this idea?

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